Huysman was one of the many foreign artists who settled in England under the Stuarts. He obtained considerable employment as a portrait painter, in spite of Sir Peter Lely's rivalry; one of the portraits among the "Windsor Beauties," now at Hampton Court, was painted by him. A portrait of the retired city hosier who became famous as the author of the _Complete Angler_. It was painted for his family (with whom it remained till it was presented to the National Gallery in 1838), and was engraved in one of the later editions of the book (1836). Izaak Walton--"that quaint, old, cruel coxcomb" (as Byron, who was no fisherman, called him)--lived to be ninety: his fishing did something, one may expect, to keep him in the vigorous health which is here stamped on his face. "The features of the countenance often enable us," says Zouch in the _Memoirs of Izaak Walton_ (cited in M. E. Wotton's _Word Portraits of Famous Writers_, p. 323), "to form a judgment, not very fallible, of the disposition of the mind. In few portraits can this discovery be more successfully pursued than in that of Izaak Walton. Lavater, the acute master of physiognomy, would, I think, instantly acknowledge in it the decisive traits of the original,--mild complacency, forbearance, mature consideration, calm activity, peace, sound understanding, power of thought, discerning attention, and secretly active friendship. Happy in his unblemished integrity, happy in the approbation and esteem of others, he enwraps himself in his own virtue. The exaltation of a good conscience eminently shines forth in this venerable person." 127. VENICE: THE SCUOLA DELLA CARITÀ. _Canaletto_ (Venetian: 1697-1768).