166. A CAPUCHIN FRIAR. _Rembrandt_ (Dutch: 1606-1669). _See_ 45. Michel ascribes this portrait to the year of Rembrandt's tribulations. "At this period, when his emotions were so deeply stirred by the vision of a compassionate Saviour, he felt a kindred attraction for those mystic souls who sought in solitude and prayer a closer communion with the Christ to whom he felt himself drawn by his own sorrows. The 'Capuchin' in the National Gallery has suffered from time, but the devout gravity of the face is finely expressed" (_Rembrandt: his Life, his Work, and his Time_, ii. 126). 167. THE ADORATION OF THE MAGI. _Peruzzi_ (Sienese: 1481-1537). _See_ 218. This drawing--of the same composition as we see in the picture No. 218--was made at Bologna in 1521 for Count Giovanni Battista Bentivogli. The drawing was presented to the National Gallery by Lord Vernon, together with a print from the plate engraved from it by Agostino Carracci. 168. ST. CATHERINE OF ALEXANDRIA. _Raphael_ (Urbino: 1483-1520). _See_ 1171. This is a picture of Raphael's second period--"painted about the year 1507, to judge from its close resemblance in style to the celebrated picture of the Entombment in the Borghese (Rome), which is known to have been executed at that time." There are several studies for the picture in the University Galleries at Oxford, and another in the Chatsworth collection. The finished cartoon in black and white chalk, pricked for transfer to the panel, is exhibited in the Louvre.