The count and the confessor. The count, attired as a monk, is praying. Behind him is his patron saint (St. Ambrose), holding a cross in one hand, a scourge in the other. More important, however, than the penitence of the count is the splendour of the robes. The picture is a good illustration of the love of jewellery characteristic of the time. "That this love of jewels was shared by the painters is sufficiently shown by the amount and beauty of the jewelled ornaments introduced by them into their pictures. Not only are brooches and clasps, sceptres and crowns, studded with precious stones, but the hems of garments are continually sewn with them, whilst gloves and shoes of state are likewise so adorned" (Conway, p. 121). This picture is by some ascribed to Gerard van der Meire (see under 1078). 265. THE VIRGIN AND CHILD. _Unknown_ (Flemish School: Early 16th Century). 266. THE DEPOSITION FROM THE CROSS. _Lambert Lombard_ (Flemish: 1505-1566). Lambert Lombard of Liège was, says Vasari, "a distinguished man of letters, a most judicious painter, and an admirable architect." His pictures, which are scarce, are generally remarkable for correctness of drawing, but his colouring was thin and cold. Lombard, who was a pupil of Mabuse (see 656), travelled as a young man in Germany and France, and visited Italy in the suite of Cardinal Pole, when he became acquainted with Vasari. On his return he opened a school at Liège. 268. THE ADORATION OF THE MAGI. _Paolo Veronese_ (Veronese: 1528-1588). _See under_ 26. A striking example of the old symbolical conception, according to which the adoration of the Magi--the tribute of the wise men from the East to the dawning star of Christianity--was represented as taking place in the ruins of an antique temple, signifying that Christianity was founded upon the ruins of Paganism. This picture was painted in 1573 for the church of San Silvestro in Venice, where it remained until 1835. It is mentioned in most of the guidebooks and descriptions of Venice. One of these published in 1792 says, in describing the church of San Silvestro: "Many are the pictures by Tintoretto, by scholars of Titian, by Palma Vecchio, etc.; but among them all the famous Adoration of the Magi by Paolo Veronese deserves especial attention." The picture has recently been covered with glass, an operation which is noteworthy on account of the great size of the pane required, 11 ft. 7 in. by 10 ft. 7 in. The pane had to be obtained in France. 269. A KNIGHT IN ARMOUR. _Giorgione_ (Venetian: 1477-1510).