A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
History
A Popular Handbook to the National Gallery, Volume I, Foreign Schools: Including by Special Permission Notes Collected from the Works of John Ruskin
National Gallery (Great Britain); Painting -- England -- London -- Catalogs
Maurizio at Milan must
once have been as conspicuous for their harmonious colouring
as the former still is for the radiant beauty of the Virgin
Saints in its lower compartment." Copies of several of Luini's
frescoes are included in the Arundel Society's Collection.
Christ is arguing with the Pharisees, but he wears the tender
expression of the man who "did not strive nor cry, neither was his
voice heard in the streets." The disputant on the extreme right, with
the close-shaven face and firm-set features, has his hand on a volume
of the Scriptures, and is taking his stand (as it were) on the letter
of the law. The one on the extreme left, on the other hand, is almost
persuaded. In contrast to him is the older man with the white beard,
who seems to be marvelling at the presumption of youth. The remaining
head is the type of the fanatic; "by our law he ought to die." This
picture, besides its splendid colouring, is a good instance of that law
of order or symmetry which is characteristic of all perfect art. The
central figure faces us; there are two figures on one side, balanced by
two on the other; the face in the left corner looks right, that in the
right corner looks left, whilst to break any too obtrusive symmetry the
head of Christ itself inclines somewhat to the left also. This famous
picture, of which there are several old copies, was formerly in the
Aldobrandini apartments in the Borghese Palace at Rome.
19. NARCISSUS AND ECHO.
_Claude_ (French: 1600-1682). _See_ 2.
Narcissus, a beautiful youth, was beloved by the nymph Echo, but he
spurned her love, and when she pined away she was changed into a stone
which still retained the power of voice. But Narcissus, seeing his own
image reflected in a fountain, became enamoured of it, and when he
could never reach his phantom love he killed himself for grief, and the
nymphs who came to burn his body found only the "short-lived flower"
that bears his name. Here, half-hidden in the trees, we see the
Naiad hid beneath the bank,
By the willowy river-side,
Where Narcissus gently sank,
Where unmarried Echo died.
_Ionica._
Public-domain text, read in full here on John Shaqi.
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