A Popular History of Astronomy During the Nineteenth Century: Fourth EditionClerke, Agnes M. (Agnes Mary)
History
A Popular History of Astronomy During the Nineteenth Century: Fourth Edition
Clerke, Agnes M. (Agnes Mary)
Astronomy -- History -- 19th century
The corona of 1878, as compared with those of 1869, 1870, and 1871, was
generally admitted to be shrunken in its main outlines and much reduced
in brilliancy. Lockyer pronounced it ten times fainter than in 1871;
Harkness estimated its light at less than one-seventh that derived from
the mist-blotted aureola of 1870.[536] In shape, too, it was markedly
different. When sun-spots are numerous, the corona appears to be most
fully developed above the spot-zones, thus offering to our eyes a rudely
quadrilateral contour. The four great luminous sheaves forming the
corners of the square are made up of rays curving together from each
side into "synclinal" or ogival groups, each of which may be compared to
the petal of a flower. To Janssen, in 1871, the eclipsing moon seemed
like the dark heart of a gigantic dahlia, painted in light on the sky;
and the similitude to the ornament on a compass-card, used by Airy in
1851, well conveys the decorative effect of the beamy, radiated kind of
aureola, never, it would appear, absent when solar activity is at a
tolerably high pitch. In his splendid volume on eclipses,[537] with
which the systematic study of coronal structure may be said to have
begun, Mr. Ranyard first generalised the synclinal peculiarity by a
comparison of records; but the symmetry of the arrangement, though
frequently striking, is liable to be confused by secondary formations.
He further pointed out, with the help of careful drawings from the
photographs of 1871 made by Mr. Wesley, the curved and branching shapes
assumed by the component filaments of massive bundles of rays. Nothing
of all this, however, was visible in 1878. Instead, there was seen, as
the groundwork of the corona, a ring of pearly light, nebulous to the
eye, but shown by telescopes and in photographs to have a fibrous
texture, as if made up of tufts of fine hairs. North and south, a series
of short, vivid, electrical-looking flame-brushes diverged with
conspicuous regularity from each of the solar poles. Their direction was
not towards the centre of the sun, but towards each summit of his axis,
so that the farther rays on either side started almost tangentially to
the surface.
Public-domain text, read in full here on John Shaqi.
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