A Popular History of Astronomy During the Nineteenth Century: Fourth EditionClerke, Agnes M. (Agnes Mary)
History
A Popular History of Astronomy During the Nineteenth Century: Fourth Edition
Clerke, Agnes M. (Agnes Mary)
Astronomy -- History -- 19th century
The first photograph of a prominence, as shown by the spectroscope in
daylight, was taken by Professor Young in 1870.[604] But neither his
method, nor that described by Dr. Braun in 1872,[605] had any practical
success. This was reserved to reward the efforts towards the same end of
Professor Hale. Begun at Harvard College in 1889,[606] they were
prosecuted soon afterwards at the Kenwood Observatory, Chicago. The
great difficulty was to extricate the coloured image of the gaseous
structure, spectroscopically visible at the sun's limb, from the
encompassing glare, a very little of which goes a long way in _fogging_
sensitive plates. To counteract its mischievous effects, a second
slit,[607] besides the usual narrow one in front of the collimator, was
placed on guard, as it were, behind the dispersing apparatus, so as to
shut out from the sensitised surface all light save that of the required
quality. The sun's image being then allowed to drift across the outer
slit, while the plate holder was kept moving at the same rate, the
successive sectional impressions thus rapidly obtained finally "built
up" a complete picture of the prominence. Another expedient was soon
afterwards contrived.[608] The H and K rays of calcium are always, as we
have seen, bright in the spectrum of prominences. They are besides fine
and sharp, while the corresponding absorption-lines in the ordinary
solar spectrum are wide and diffuse. Hence, prominences formed by the
spectroscope out of these particular qualities of violet light, can be
photographed entire and at once, for the simple reason that they are
projected upon a naturally darkened background. Atmospheric glare is
abolished by local absorption. This beautiful method was first realised
by Professor Hale in June, 1891.
Public-domain text, read in full here on John Shaqi.
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