For sixty years a momentous crisis had been exercising language and literature as well as society in France. They yearned to get out of it. Robust intellectual culture had, ceased to be the privilege of the erudite only; it began to gain a footing on the common domain; people no longer wrote in Latin, like Erasmus; the Reformation and the Renaissance spoke French. In order to suffice for this change, the language was taking form; everybody had lent a hand to the work; Calvin with his Christian Institutes (_Institution Chretienne_) at the same time as Rabelais with his learned and buffoonish romance, Ramus with his Dialectics, and Bodin with his Republic, Henry Estienne with his essays in French philology, as well as Ronsard and his friends by their classical crusade. Simultaneously with the language there was being created a public intelligent, inquiring, and eager. Scarcely had the translation of Plutarch by Amyot appeared, when it at once became, as Montaigne says, “the breviary of women and of ignoramuses.” “God’s life, my love,” wrote Henry IV. to Mary de’ Medici, “you could not have sent me any more agreeable news than of the pleasure you have taken in reading. Plutarch has a smile for me of never-failing freshness; to love him is to love me, for he was during a long while the instructor of my tender age; my good mother, to whom I owe everything, and who set so great store on my good deportment, and did not want me to be (that is what she used to say) an illustrious ignoramus, put that book into my hands, though I was then little more than a child at the breast. It has been like my conscience to me, and has whispered into my ear many good hints and excellent maxims for my behavior and for the government of my affairs.”