A Popular History of France from the Earliest Times, Volume 6Guizot, François
History
A Popular History of France from the Earliest Times, Volume 6
Guizot, François
France -- History
Rousseau was barely sixteen when he began that roving existence which is
so attractive to young people, so hateful in ripe age, and which lasted
as long as his life. Flying from his master whose brutality he dreaded,
and taking refuge at Oharmettes in Savoy with a woman whom he at first
loved passionately, only to leave her subsequently with disgust, he had
reached the age of one and twenty, and had already gone through many
adventures when he set out, heart-sore and depraved, to seek at Paris a
means of subsistence. He had invented a new system of musical notation;
the Academy of Sciences, which had lent him a favorable ear, did not
consider the discovery useful. Some persons had taken an interest in
him, but Rousseau could never keep his friends; and he had many, zealous
and devoted. He was sent to Venice as secretary to the French ambassador
M. de Montaigu. He soon quarrelled with the ambassador and returned to
Paris. He found his way into the house of Madame Dupin, wife of a rich
farmer-general (of taxes). He was considered clever; he wrote little
plays, which he set to music. Enthusiastically welcomed by the friends
of Madame Dupin, he contributed to their amusements. “We began with the
_Engagement temeraire,_” says Madame d’Epinay in her Memoires: “it is a
new play by M. Rousseau, a friend of M. de Francueil’s, who introduced
him to us. The author played a part in his piece. Though it is only a
society play, it was a great success. I doubt, however, whether it would
be successful at the theatre, but it is the work of a clever man and no
ordinary man. I do not quite know, though, whether it is what I saw of
the author or of the piece that made me think so. He is complimentary
without being polite, or at least without having the air of it. He seems
to be ignorant of the usages of society, but it is easy to see that he
has infinite wit. He has a brown complexion, and eyes full of fire light
up his face. When he has been speaking and you watch him, you think him
good-looking; but when you recall him to memory, it is always as a plain
man. He is said to be in bad health; it is probably that which gives him
from time to time a wild look.”
Public-domain text, read in full here on John Shaqi.
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