A Popular History of the Art of Music: From the Earliest Times Until the PresentMathews, W. S. B. (William Smythe Babcock)
History
A Popular History of the Art of Music: From the Earliest Times Until the Present
Mathews, W. S. B. (William Smythe Babcock)
Music -- History and criticism
His ecclesiastical standing was so good that in 1583 he was
elected bishop, but his accession to the see was so strongly opposed
by the doge and the senate that he consented to retain the appointment
of St. Mark's, where he remained until his death in 1590. Zarlino was
very famous as a composer, in his own day, but few of his works have
come down to us. He is best known by certain works of his on harmony
and the theory of music, of which the most important was the
_Institutioni Armoniche_ (Venice, 1558), and his _Demonstrationi
Armoniche_ (Venice, 1571). Zarlino's distinction rests upon his
having restored the true tuning of the tetrachord to that of 8:9,
9:10, 15:16, as opposed to the Pythagorean tuning of 9:8, 9:8,
256:243. He was the most important scientific authority in the music
of the new epoch. His discoveries in harmony were afterward
supplemented by those of Tartini, almost two centuries later. Among
other strong points of Zarlino was his demonstration of equal
temperament, which came into general use about 100 years later.
Cypriano de Rore, whose name was mentioned above in connection with
St. Mark's, held a position as master in that eminent cathedral only
one year, his tenure of office falling between the death of Willaert
and the appointment of Zarlino. He was a very prolific composer of
motettes and madrigals, and after resigning his position at St. Mark's
went to the Court of Parma, where he died at the age of forty-nine.
The later eminent masters holding positions in this church will come
into view in the next book, in connection with the opera, for
Monteverde was director of the music here during the greater part of
his career as a dramatic composer.
The most eminent development of the polyphonic school, and at the same
time the dawn of a better era in church music, took place in Rome,
where the influence of the Netherlandish composer is noticeable.
Claude Goudimel, whose name appears in the table of the Netherlandish
school in the preceding chapter, opened a music school in Rome in the
early part of the sixteenth century, and among his pupils was the name
of Palestrina. Goudimel's residence in Rome was not very long. He
afterward returned to Paris, and in some way was connected with Calvin
in preparing psalm books for the Calvinists. He was killed finally at
Lyons in the massacre of St. Bartholomew, August 24, 1572.
Public-domain text, read in full here on John Shaqi.
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