Ingred looked round in amazement. It was a little sanctum which she and Quenrede had shared in the old days as a kind of studio. Here they had been allowed to try experiments in poker work, painting, fret-carving, spatter-work, or any other operations which were considered too messy to be performed in the school-room downstairs. They had loved their "den," as they called it, and had taken a particular pleasure in covering its walls with pictures, cut, most of them, from magazines, and stuck on with glue or paste. During the occupation of Rotherwood by the "Red Cross," this room had been locked up, and Ingred had imagined that Mr. Haselford would have had it papered when the rest of the house was decorated. She was delighted to find it in this untouched condition. All her dear former treasures adorned the walls, and she ran from one to another rejoicing over them. There was even a further surprise. Years ago an artist cousin had sketched her portrait in pastel crayons upon the color-wash of the wall. It had been done as a mere artistic freak, but like many such spontaneous drawings it had been an admirable likeness and a very pretty picture. It bore her name, "Ingred," in flourishy letters underneath. The whole of this had now been protected with a sheet of glass and enclosed by a frame. A table in the room, an easy chair, and a gas-fire seemed to point to its occasional occupation. "You actually haven't had this changed!" exclaimed Ingred. "I thought it must all have been swept away by now!" "No. You see, Father took me over the house when first he decided to come here, and when he was arranging what papers to choose. I fell in love with this dear wee room just as it was, and begged that it mightn't be touched. Father let me have it for my very own. It was so different from all other rooms. I liked the pictures pasted on the walls, and the bits of poker-work nailed up. I knew some other girls must have been here, and it gave me a homely feeling, as if you had only gone away for a few minutes, and might come back any time and talk to me. Then there was your portrait. I wondered who 'Ingred' was! The name struck my fancy immensely, and so did the face. You remember we removed to Rotherwood at the end of July, and all the rest of the summer I wondered about the portrait. I used to come up here and sit when I felt very lonely, and it seemed company, somehow. You can't think how fond I got of it. I suppose I was rather silly and absurd, but I knew nobody in Grovebury then, and Mother was ill in her room, and Father away all day--anyhow I got into the habit of talking to it as if it were a girl friend, and showing it my paintings, and my pressed flowers, and everything I was doing. I pretended it liked to see them. Sometimes I even brought up my violin and played to it. That was nicer than being quite by myself. It grew to be as dear to me as the little sister I had always longed to have.