A Portrait of the Artist as a Young ManJoyce, James
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A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
On each of the seven days of the week he further prayed that one of the
seven gifts of the Holy Ghost might descend upon his soul and drive out
of it day by day the seven deadly sins which had defiled it in the
past; and he prayed for each gift on its appointed day, confident that
it would descend upon him, though it seemed strange to him at times
that wisdom and understanding and knowledge were so distinct in their
nature that each should be prayed for apart from the others. Yet he
believed that at some future stage of his spiritual progress this
difficulty would be removed when his sinful soul had been raised up
from its weakness and enlightened by the Third Person of the Most
Blessed Trinity. He believed this all the more, and with trepidation,
because of the divine gloom and silence wherein dwelt the unseen
Paraclete, Whose symbols were a dove and a mighty wind, to sin against
Whom was a sin beyond forgiveness, the eternal mysterious secret Being
to Whom, as God, the priests offered up mass once a year, robed in the
scarlet of the tongues of fire.
The imagery through which the nature and kinship of the Three Persons
of the Trinity were darkly shadowed forth in the books of devotion
which he read—the Father contemplating from all eternity as in a mirror
His Divine Perfections and thereby begetting eternally the Eternal Son
and the Holy Spirit proceeding out of Father and Son from all
eternity—were easier of acceptance by his mind by reason of their
august incomprehensibility than was the simple fact that God had loved
his soul from all eternity, for ages before he had been born into the
world, for ages before the world itself had existed.
He had heard the names of the passions of love and hate pronounced
solemnly on the stage and in the pulpit, had found them set forth
solemnly in books and had wondered why his soul was unable to harbour
them for any time or to force his lips to utter their names with
conviction. A brief anger had often invested him but he had never been
able to make it an abiding passion and had always felt himself passing
out of it as if his very body were being divested with ease of some
outer skin or peel. He had felt a subtle, dark, and murmurous presence
penetrate his being and fire him with a brief iniquitous lust: it, too,
had slipped beyond his grasp leaving his mind lucid and indifferent.
This, it seemed, was the only love and that the only hate his soul
would harbour.
Public-domain text, read in full here on John Shaqi.
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