A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
The three students halted round the box on which Davin sat to follow
the game. Temple, after a few moments, sidled across to Stephen and
said:
—Excuse me, I wanted to ask you, do you believe that Jean Jacques
Rousseau was a sincere man?
Stephen laughed outright. Cranly, picking up the broken stave of a cask
from the grass at his feet, turned swiftly and said sternly:
—Temple, I declare to the living God if you say another word, do you
know, to anybody on any subject, I’ll kill you _super spottum._
—He was like you, I fancy, said Stephen, an emotional man.
—Blast him, curse him! said Cranly broadly. Don’t talk to him at all.
Sure, you might as well be talking, do you know, to a flaming
chamberpot as talking to Temple. Go home, Temple. For God’s sake, go
home.
—I don’t care a damn about you, Cranly, answered Temple, moving out of
reach of the uplifted stave and pointing at Stephen. He’s the only man
I see in this institution that has an individual mind.
—Institution! Individual! cried Cranly. Go home, blast you, for you’re
a hopeless bloody man.
—I’m an emotional man, said Temple. That’s quite rightly expressed. And
I’m proud that I’m an emotionalist.
He sidled out of the alley, smiling slily. Cranly watched him with a
blank expressionless face.
—Look at him! he said. Did you ever see such a go-by-the-wall?
His phrase was greeted by a strange laugh from a student who lounged
against the wall, his peaked cap down on his eyes. The laugh, pitched
in a high key and coming from a so muscular frame, seemed like the
whinny of an elephant. The student’s body shook all over and, to ease
his mirth, he rubbed both his hands delightedly over his groins.
—Lynch is awake, said Cranly.
Lynch, for answer, straightened himself and thrust forward his chest.
—Lynch puts out his chest, said Stephen, as a criticism of life.
Lynch smote himself sonorously on the chest and said:
—Who has anything to say about my girth?
Cranly took him at the word and the two began to tussle. When their
faces had flushed with the struggle they drew apart, panting. Stephen
bent down towards Davin who, intent on the game, had paid no heed to
the talk of the others.
—And how is my little tame goose? he asked. Did he sign, too?
Davin nodded and said:
—And you, Stevie?
Stephen shook his head.
—You’re a terrible man, Stevie, said Davin, taking the short pipe from
his mouth, always alone.
—Now that you have signed the petition for universal peace, said
Stephen, I suppose you will burn that little copybook I saw in your
room.
As Davin did not answer, Stephen began to quote:
—Long pace, fianna! Right incline, fianna! Fianna, by numbers, salute,
one, two!
—That’s a different question, said Davin. I’m an Irish nationalist,
first and foremost. But that’s you all out. You’re a born sneerer,
Stevie.
—When you make the next rebellion with hurleysticks, said Stephen, and
want the indispensable informer, tell me. I can find you a few in this
college.
Public-domain text, read in full here on John Shaqi.
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