A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
—Is this a beautiful young lady or a doll that you have here, Mrs
Tallon?
Then, bending down to peer at the smiling painted face under the leaf
of the bonnet, he exclaimed:
—No! Upon my word I believe it’s little Bertie Tallon after all!
Stephen at his post by the window heard the old lady and the priest
laugh together and heard the boys’ murmurs of admiration behind him as
they passed forward to see the little boy who had to dance the
sunbonnet dance by himself. A movement of impatience escaped him. He
let the edge of the blind fall and, stepping down from the bench on
which he had been standing, walked out of the chapel.
He passed out of the schoolhouse and halted under the shed that flanked
the garden. From the theatre opposite came the muffled noise of the
audience and sudden brazen clashes of the soldiers’ band. The light
spread upwards from the glass roof making the theatre seem a festive
ark, anchored among the hulks of houses, her frail cables of lanterns
looping her to her moorings. A side door of the theatre opened suddenly
and a shaft of light flew across the grassplots. A sudden burst of
music issued from the ark, the prelude of a waltz: and when the side
door closed again the listener could hear the faint rhythm of the
music. The sentiment of the opening bars, their languor and supple
movement, evoked the incommunicable emotion which had been the cause of
all his day’s unrest and of his impatient movement of a moment before.
His unrest issued from him like a wave of sound: and on the tide of
flowing music the ark was journeying, trailing her cables of lanterns
in her wake. Then a noise like dwarf artillery broke the movement. It
was the clapping that greeted the entry of the dumbbell team on the
stage.
At the far end of the shed near the street a speck of pink light showed
in the darkness and as he walked towards it he became aware of a faint
aromatic odour. Two boys were standing in the shelter of a doorway,
smoking, and before he reached them he had recognised Heron by his
voice.
—Here comes the noble Dedalus! cried a high throaty voice. Welcome to
our trusty friend!
This welcome ended in a soft peal of mirthless laughter as Heron
salaamed and then began to poke the ground with his cane.
—Here I am, said Stephen, halting and glancing from Heron to his
friend.
The latter was a stranger to him but in the darkness, by the aid of the
glowing cigarette tips, he could make out a pale dandyish face over
which a smile was travelling slowly, a tall overcoated figure and a
hard hat. Heron did not trouble himself about an introduction but said
instead:
—I was just telling my friend Wallis what a lark it would be tonight if
you took off the rector in the part of the schoolmaster. It would be a
ripping good joke.
Heron made a poor attempt to imitate for his friend Wallis the rector’s
pedantic bass and then, laughing at his failure, asked Stephen to do
it.
Public-domain text, read in full here on John Shaqi.
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