A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
—It’s a pretty old air, said Mr Dedalus, twirling the points of his
moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick
Lacy! He had little turns for it, grace notes that he used to put in
that I haven’t got. That was the boy who could sing a _come-all-you_,
if you like.
Mr Dedalus had ordered drisheens for breakfast and during the meal he
cross-examined the waiter for local news. For the most part they spoke
at cross purposes when a name was mentioned, the waiter having in mind
the present holder and Mr Dedalus his father or perhaps his
grandfather.
—Well, I hope they haven’t moved the Queen’s College anyhow, said Mr
Dedalus, for I want to show it to this youngster of mine.
Along the Mardyke the trees were in bloom. They entered the grounds of
the college and were led by the garrulous porter across the quadrangle.
But their progress across the gravel was brought to a halt after every
dozen or so paces by some reply of the porter’s.
—Ah, do you tell me so? And is poor Pottlebelly dead?
—Yes, sir. Dead, sir.
During these halts Stephen stood awkwardly behind the two men, weary of
the subject and waiting restlessly for the slow march to begin again.
By the time they had crossed the quadrangle his restlessness had risen
to fever. He wondered how his father, whom he knew for a shrewd
suspicious man, could be duped by the servile manners of the porter;
and the lively southern speech which had entertained him all the
morning now irritated his ears.
They passed into the anatomy theatre where Mr Dedalus, the porter
aiding him, searched the desks for his initials. Stephen remained in
the background, depressed more than ever by the darkness and silence of
the theatre and by the air it wore of jaded and formal study. On the
desk he read the word _Fœtus_ cut several times in the dark stained
wood. The sudden legend startled his blood: he seemed to feel the
absent students of the college about him and to shrink from their
company. A vision of their life, which his father’s words had been
powerless to evoke, sprang up before him out of the word cut in the
desk. A broadshouldered student with a moustache was cutting in the
letters with a jackknife, seriously. Other students stood or sat near
him laughing at his handiwork. One jogged his elbow. The big student
turned on him, frowning. He was dressed in loose grey clothes and had
tan boots.
Stephen’s name was called. He hurried down the steps of the theatre so
as to be as far away from the vision as he could be and, peering
closely at his father’s initials, hid his flushed face.
Public-domain text, read in full here on John Shaqi.
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