A Portrait of the Artist as a Young ManJoyce, James
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A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
The preacher’s voice sank. He paused, joined his palms for an instant,
parted them. Then he resumed:
—Now let us try for a moment to realise, as far as we can, the nature
of that abode of the damned which the justice of an offended God has
called into existence for the eternal punishment of sinners. Hell is a
strait and dark and foulsmelling prison, an abode of demons and lost
souls, filled with fire and smoke. The straitness of this prison house
is expressly designed by God to punish those who refused to be bound by
His laws. In earthly prisons the poor captive has at least some liberty
of movement, were it only within the four walls of his cell or in the
gloomy yard of his prison. Not so in hell. There, by reason of the
great number of the damned, the prisoners are heaped together in their
awful prison, the walls of which are said to be four thousand miles
thick: and the damned are so utterly bound and helpless that, as a
blessed saint, saint Anselm, writes in his book on similitudes, they
are not even able to remove from the eye a worm that gnaws it.
—They lie in exterior darkness. For, remember, the fire of hell gives
forth no light. As, at the command of God, the fire of the Babylonian
furnace lost its heat but not its light so, at the command of God, the
fire of hell, while retaining the intensity of its heat, burns
eternally in darkness. It is a neverending storm of darkness, dark
flames and dark smoke of burning brimstone, amid which the bodies are
heaped one upon another without even a glimpse of air. Of all the
plagues with which the land of the Pharaohs were smitten one plague
alone, that of darkness, was called horrible. What name, then, shall we
give to the darkness of hell which is to last not for three days alone
but for all eternity?
Public-domain text, read in full here on John Shaqi.
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