A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of FriendsClarkson, Thomas
Religion
A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of Friends
Clarkson, Thomas
Society of Friends
[Footnote 5: Rousseau condemns the stage upon the same principle. "It
is, says he, the art of dissimulation--of assuming a foreign character,
and of appearing differently from what a man really is--of flying into a
passion without a cause, and of saying what he does not think, as
naturally as if he really did--in a word of forgetting himself to
personate others."]
They object also to the manner of the drama, even where it professes to
be a school for morals. For where it teaches morality, it inculcates
rather the refined virtue of heathenism, than the strict, though mild
discipline of the gospel. And where it attempts to extirpate vice, it
does it rather by making it ridiculous, than by making men shun it for
the love of virtue. It no where fixes the deep christian principle, by
which men are bound to avoid it as sin, but places the propriety of the
dereliction of it rather upon the loss of reputation among the world,
than upon any sense of religious duty.
SECT. III.
_Theatre forbidden an account of the internal contents of the
drama--both of those of tragedy--and of comedy--these contents hold out
false morals and prospects--and weaken the sinews of morality
--observations of Lord Kaimes upon the subject._
The next class of arguments is taken from the internal contents of the
drama.
The Quakers mean that dramatic compositions generally contain false
sentiments, that is, such as christianity would disapprove; that, of
course they hold out false prospects; that they inculcate false morals;
and that they have a tendency from these, and other of their internal
contents, to promote dissipation, and to weaken the sinews of morality
in those who see them represented upon the stage.
Tragedy is considered by the Quakers, as a part of the drama, where the
hero is generally a warrior, and where a portion of human happiness is
made to consist of martial glory. Hence it is considered as frequently
inculcating proud and lofty sentiments, as cherishing a fierce and
romantic spirit, as encouraging rival enmities, as holding of no
importance the bond of love and union between man and man. Now as
christianity enjoins humility, peace, quietness, brotherly affection,
and charity, which latter is not to be bounded by the limits of any
country, the Quakers hold as a christian body, that they cannot admit
their children to spectacles, which have a tendency to engender a
disposition opposite to these.
Public-domain text, read in full here on John Shaqi.
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