A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of FriendsClarkson, Thomas
Religion
A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of Friends
Clarkson, Thomas
Society of Friends
But if the Quakers have been accustomed to place one of the sources of
their pleasures in domestic happiness, they may be supposed to be
jealous of every thing that appears to them to be likely to interrupt
it. But they consider dramatic exhibitions, as having this tendency.
These exhibitions, under the influence of plot, dialogue, dress, music,
action, and scenery, particularly fascinate. They excite the person, who
has once seen them, to desire them again. But in proportion as this
desire is gratified, or in proportion as people leave their homes for
the amusements of the stage, they lose their relish, and weaken their
powers, of the enjoyment of domestic society: that is, the Quakers mean
to say, that domestic enjoyments, and those of the theatre, may become,
in time, incompatible in the same persons; and that the theatre ought,
therefore, to be particularly avoided, as an enemy, that may steal them,
and rob them of those pleasures, which experience has taught them to
value, as I have observed before, next to the pleasures of religion.
They are of opinion also, that dramatic exhibitions not only tend, of
themselves, to make home less agreeable, but that they excite a craving
for stimulants, and, above all, teach a dependence upon external objects
for amusement. Hence the attention of people is taken off again to new
objects of pleasure, which lie out of their own families, and out of the
circle of their friends.
It will not take much time to shew, that the Quakers have not been
mistaken in this point. It is not unusual in fashionable circles, where
the theatre is regularly brought into the rounds of pleasure, for the
father and the mother of a family to go to a play once, or occasionally
twice, a week. But it seldom happens, that they either go to the same
theatre, or that they sit together. Their children are at this time left
at home, under, what is considered to be, proper care, but they are
probably never seen again by them till the next noon; and perhaps once
afterwards in the same day, when it is more than an even chance, that
they must be again left for the gratification of some new pleasure. Now
this separation of fathers from mothers, and of parents from children,
does not augur well of domestic enjoyments or of a love of home.
Public-domain text, read in full here on John Shaqi.
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