A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of FriendsClarkson, Thomas
Religion
A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of Friends
Clarkson, Thomas
Society of Friends
But we will trace the conduct of the parents still farther. We will get
into their company at their own houses; and here we shall very soon
discover, how wearisome they consider every hour, that is spent in the
bosom of their families, when deprived of their accustomed amusements;
and with what anxiety they count the time, when they are to be restored
to their favourite rounds of pleasure. We shall find no difficulty in
judging also from their conversation, the measure of their thought or
their solicitude about their children. A new play is sure to claim the
earliest attention or discussion. The capital style, in which an actor
performed his part on a certain night, furnishes conversation for an
hour. Observations on a new actress perhaps follow. Such subjects appear
more interesting to such persons, than the innocent conversation, or
playful pranks, of their children. If the latter are noisy, they are
often sent out of the room as troublesome, though the same parents can
bear the stunning plaudits, or the discordant groans and hissings of the
audience at the theatre. In the mean time their children grow up, and in
their turn, are introduced by their parents to these amusements, as to
places, proper for the dissipation of vacant hours; till, by frequent
attendances, they themselves lose an affection for home and the domestic
duties, and have in time as little regard for their parents, as their
parents appear to have had for them. Marrying at length, not for the
enjoyment of domestic society, they and their children perpetuate the
same rounds of pleasure, and the same sentiments and notions.
To these instances many indeed might be added, by looking into the
family-histories of those, who are in the habit of frequenting theatres
in search of pleasure, by which it would appear, that such amusements
are not friendly to the cherishing of the domestic duties and
affections, but that, on the other hand, in proportion as they are
followed, they tend to sap the enjoyments of domestic life. And here it
may be observed, that of all the amusements, which go to the making up
of the round of pleasures, the theatre has the greatest share in
diverting from the pleasures of home. For it particularly attracts and
fascinates, both from the nature, and the diversity, of the amusements
it contains. It is also always open, in the season, for resort. So that
if private invitations to pleasure should not come in sufficiently
numerous, or should be broken off by the indisposition of the parties,
who give them, the theatre is always ready to supply any vacancy, that
may be occasioned in the round.
SECT. VI.
_Quakers conceive they can sanction no amusements, but such as could
have originated in christian minds--exhibitions of the drama could have
had, they believe, no such origin--early christians abandoned them in
their conversion--arguments of the latter on this subject, as taken
from Tertullian, Minucius Felix, Cyprian, Lactantius and others._
Public-domain text, read in full here on John Shaqi.
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