A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.Humphrey, S. D. (Samuel Dwight)
Science
A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.
Humphrey, S. D. (Samuel Dwight)
Ambrotype; Photography
Again, if a negative portrait be placed in the camera slide, and if
the instrument be carried into a dark room, a hole be cut in the
window-shutter so as to admit light through the negative, the luminous
rays, after refraction by the lens, will form an image of the exact size
of life upon a white screen placed in the position originally occupied
by the sitter. These two planes, in fact, that of the object and of the
image, are strictly _conjugate foci_, and, as regards the result, it is
immaterial from which of the two, anterior or posterior, the rays of light
proceed.
Therefore in order to obtain a reduced or enlarged copy of a negative, it
is necessary only to form an image of the size required, and to project
the image upon a sensitive surface either of collodion or paper.
A good arrangement for this purpose may be made by taking an ordinary
portrait camera, and prolonging it in front by a deal box blackened inside
and with a double body, to admit of being lengthened out as required; or,
more simply, by adding a framework of wood covered in with black cloth. A
groove in front carries the negative, or receives the slide containing the
sensitive layer, as the case may be.
In reducing photographs, the negative is placed in front of the lens, in
the position ordinarily occupied by the object; but in making an enlarged
copy it must be fixed behind the lens, or, which is equivalent, the lens
must be turned round so that the rays of light, transmitted by the
negative, enter the back glass of the combination, and pass out at the
front. This point should be attended to in order to avoid indistinctness
of image from spherical aberration.
A portrait combination of lenses of 2-1/2 or 3-1/4 inches is the best form
to use, and the actinic and luminous foci should accurately correspond, as
any difference between them would be increased by enlarging. A stop of an
inch or an inch and a half aperture placed between the lenses obviates to
some extent the loss of sharp outline usually following enlargement of the
image.
The light may be admitted through the negative by pointing the camera
towards the sky; or direct sunlight may be used, thrown upon the negative
by a plane reflector. A common swing looking-glass, if clear and free from
specks, does very well; it should be so placed that the centre on which it
turns is on a level with the axis of the lens.
The best negatives for printing enlarged positives are those which are
distinct and clear; and it is important to use a small negative, which
strains the lens less and gives better results than one of larger size.
In printing by 2-1/4 lens for instance, prepare the negative upon a plate
about two inches square and afterwards enlarge it four diameters.
Paper containing chloride of silver is not sufficiently sensitive to
receive the image, and the print should be formed upon collodion, or on
iodized paper developed by gallic acid.
Public-domain text, read in full here on John Shaqi.
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