A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.Humphrey, S. D. (Samuel Dwight)
Science
A Practical Manual of the Collodion Process, Giving in Detail a Method For Producing Positive and Negative Pictures on Glass and Paper.
Humphrey, S. D. (Samuel Dwight)
Ambrotype; Photography
The glass is held between the thumb and forefinger of the left hand by the
corner 1, Fig. A., 3 and 4 towards and nearest the body, and as nearly
level as possible. I find this the best position to hold the glass; as, in
the case of the larger ones, they can be rested on the end of the little
finger, which should be placed as near the edge as possible. Then, from
the collodion vial, pour on the collodion, commencing a little beyond
the centre and towards 1, continuing pouring in the same place until the
collodion nearly reaches the thumb--the glass slightly inclined that way;
then let the glass incline towards 4, and continue to pour towards 2.
As soon as enough has been put on to liberally flow the glass, rapidly and
steadily raise corner 1, and hold it directly over 3, where the excess
will flow oil into the mouth of the vial, which should be placed there to
receive it. In case of a speck of dust falling at the time of coating, it
can often be prevented from injuring the surface by changing the direction
of the flowing collodion, so as to stop it in some place where it will
not be seen when the picture is finished. Now, with the thumb and finger
of the right hand, I wipe off any drops or lines of collodion that may be
found upon the _outer_ edge or side of the glass, being careful not to
disturb that connected with the face.
When the coating has become sufficiently dry, so that when I put my finger
against it, it does not break the film, but only leaves a print, I put
it into the silvering bath [_see_ Fig. p. 34]. I generally try corners 2
and 3. The time, from the first commencement of pouring on collodion to
its being put into the bath, should not exceed about half a minute, at a
temperature of 60°. The finger test is the best I have found. The glass
is to be rested on a dipper [_see_ Fig. p. 34], and placed steadily and
firmly into the nitrate of silver bath--this in a dark room. It should not
be allowed to rest for an instant as it is entering the solution, or it
would cause a line. The time for the glass to remain in the bath depends
upon the age and amount of silver the bath contains; for a new solution,
from _two_ to _three_ minutes will be sufficient to give the proper
action. If it be old, three to five minutes will be better. When it is
properly coated, it can be raised up and taken by the corner, and allowed
to drain for a few seconds, and then should be placed in the tablet, and
is ready for the camera. The time of exposure will depend upon the amount
of light present. If the bath is newly mixed, and the collodion recently
iodized, it should produce a sufficiently strong impression by an exposure
of about one-third of the time required for a daguerreotype. If the
collodion has been iodized some time, and the bath is old, about one-half
of the time necessary to produce a daguerreian image will be required.
Public-domain text, read in full here on John Shaqi.
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