A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.Burgess, James W.
History
A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.
Burgess, James W.
Carriage and wagon making; Carriages and carts
The ornamental part to be gold, shaded with asphaltum, and high
light with a delicate pink, composed of flake white and light red.
The wreaths may be painted blue and white. Mix up three lines of
blue, placing the darkest at the bottom or lower part of each band
shown, as shaded in the figure. The white bands should not be of pure
white, but a light grey, made by mixing a little black with the white
colour. For the high light running along the centre of the wreath,
use white tinted with yellow. The space covered with diagonal lines
may either be left plain, showing the panel colour, or barred across
with grey lines made of flake white and black, tinged with carmine.
[Illustration: Fig. 43.]
Fig. 43.—This is the letter V combined with a garter. Size in the
entire pattern, and lay the pattern in with gold, and glaze over the
inner part of the garter with a light blue, the inner and outer edges
to remain gold. The flying ribbon to be pink, composed of carmine and
white, and the shading to be clear carmine, with carmine saddened
with black for the deeper tones. The stems of the letter V to be
green, shaded with a reddish brown, and the leafing to be the same
colours.
[Illustration: Fig. 44.]
Fig. 44.—Paint the cap crimson, the wreath green and grey, lighted
with a delicate pink. The circular part to be gold, shaded with
asphaltum tinted with carmine; the outside border of shield to be
gold also; the upper division of the shield to be red, deep and rich
in tone. The chevron, or white angular band across the shield, to be
a grey, lighted up with pure white. The lower division of the shield
to be blue, and the deep shades to be purple. Paint the leafing at
the base with a colour mixed of burnt umber, yellow, and lake; shade
with asphaltum tinted with carmine, and put in the high lights with
orange or vermilion.
[Illustration: Fig. 45.]
Fig. 45.—This is from a design by Gustave Doré. It is an odd but
still pretty design. Lay in the whole of the pattern in gold; shade
the details with verdigris darkened with asphaltum; put in the high
lights with pink, composed of light red and white. The escutcheon may
be coloured with light brown, carmine, and dark brown. The edges of
the diagonal bar to be dotted minutely with vermilion.
[Illustration: Fig. 46.]
Public-domain text, read in full here on John Shaqi.
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