A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purityDeite, C. (Carl)
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A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purity
Deite, C. (Carl)
Cosmetics; Perfumes; Perfumes industry
designs, without too much imitating others.
_Red stick-paint_ (_Stick rouge_).--Prepared talc 1 lb., carmine
5½ drachms, olive oil 2¾ drachms, alcohol 8¼ drachms, spirit of
sal ammoniac a good teaspoonful, distilled water and gum-tragacanth
mucilage as much as required.
The mode of preparation is the same as for solid paints, except that in
order to give the rouge more consistency, less water and gum-tragacanth
mucilage are to be used.
For moulding the rouge into sticks, round tin moulds about 2½ inches
long and of the thickness of a finger are used. To facilitate the
removal of the rouge sticks, the inside of the moulds is rubbed with
a rag moistened with olive oil and wrapped around a thin stick of
wood. After removing the sticks from the mould, they are allowed to
dry superficially, and next wrapped first in tissue paper and then in
tinfoil, one end, however, being left free from paper and tinfoil. They
are finally labelled and packed in paste-board boxes.
_White stick paint_ is prepared in the same manner as stick rouge, with
the exception that the carmine is omitted.
_Rouge en feuilles._--Prepared talc 1¾ ozs., carmine 2¾ drachms,
olive oil 10 to 15 drops, spirits of sal ammoniac about 50 drops, pure
alcohol 5¼ ozs., distilled water or rose water 8 ozs., gum-tragacanth
mucilage 1¾ ozs.
The carmine is first rubbed fine, then the olive oil, spirits of sal
ammoniac, and gum-tragacanth mucilage are successively thoroughly
triturated with the carmine, next the talc is added, then the water,
and finally the alcohol. Mix all intimately in a mortar with the
pestle. The whole forms a fluid which, by means of a fine brush, is
applied to a square piece of white card board, so that a circular
disk the size of a silver dollar lies in the centre of the paper. The
application of the rouge to the paper has to be repeated three or
four times, allowing one layer to dry before applying the next. When
the last layer is dry, the rouge is smoothed by laying a piece of
tissue paper upon it and running the broad side of a paper cutter over
the tissue paper. In packing, a piece of tissue is laid between the
separate pieces.
LIQUID PAINTS. Liquid paints are chiefly used by actors.
_Liquid rouge._--Rose water 1½ quarts, carmine 1¾ ozs., _Extrait
rose_ No. 1, 1 lb.
Public-domain text, read in full here on John Shaqi.
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