Lavender inwardly laughed at the audacity of the lad, and, seeing that
Sheila hesitated, humored him by saying, “Well, we were thinking of
calling on one or two people before going home to dinner. But I haven’t
seen you for a long time, Mosenberg, and I want you to tell me how you
succeeded at the Conservatoire. If you like to walk with us for a bit,
we can give you something to eat at seven.”
“That would be very pleasant for me,” said the boy, blushing somewhat,
“if it does not incommode you, madame?”
“Oh, no; I hope you will come,” said Sheila, most heartily; and so they
set out for a walk through Kensington Gardens, northward.
Precious little did Lavender learn about Leipsic during that walk. The
boy devoted himself wholly to Sheila. He had heard frequently of her,
and he knew of her coming from the wild and romantic Hebrides; and he
began to tell her of all the experiments that composers had made in
representing the sound of seas and storms, and winds howling through
caverns washed by the waves. Lavender liked music well enough, and could
himself play and sing a little, but this enthusiasm rather bored him. He
wanted to know if the yellow wine was still as cool and clear as ever
down in the twilight of Auerbach’s cellar, what burlesques had lately
been played at the theatre, and whether such and such a beer-garden was
still to the fore; whereas, he heard only analyses of overtures, and
descriptions of the uses of particular musical instruments, and a wild
rhapsody about moonlit seas, the sweetness of French horns, the King of
Thule, and a dozen other matters.
“Mosenberg,” he said, “before you go calling on people you ought to
visit an English tailor. People will think you belong to a German band.”
“I have been to a tailor,” said the lad, with a frank laugh. “My
parents, madame, wish me to be quite English; that is why I am sent to
live in London, while they are in Frankfort. I stay with some very good
friends of mine, who are very musical, and they are not annoyed by my
practising, as other people would be.”
“I hope you will sing something to us this evening,” said Sheila.
“I will sing and play for you all the evening,” he said, lightly, “until
you are tired. But you must tell me when you are tired, for who can
tell how much music will be enough? Sometimes two or three songs are
more than enough to make people wish you away.”
“You need have no fear of tiring me,” said Sheila. “But when you are
tired I will sing for you.”
“Yes, of course you sing, madame,” he said, casting down his eyes: “I
knew that when I saw you.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account