But was this Sheila? Could he take this sheet of paper to his friends in London and say, Here is the magical princess whom I hope to bring to you from the North, with all the glamour of the sea around her? He felt instinctively that there would be an awkward pause. The people would praise the handsome, frank, courageous head, and look upon the bit of red ribbon around the neck as an effective artistic touch. They would hand him back the paper with a compliment, and he would find himself in an agony of unrest because they had misunderstood the portrait, and seen nothing of the wonder that encompassed this Highland girl as if with a garment of mystery and dreams. So he tore up portrait after portrait--more than one of which would have startled Ingram by its truth--and then, to prove to himself that he was not growing mad, he resolved to try a portrait of some other person. He drew a head of old Mackenzie in chalk, and was amazed at the rapidity and facility with which he executed the task. Then there could be no doubt as to the success of the likeness nor as to the effect of the picture. The King of Borva, with his heavy eyebrows, his aquiline nose, his keen gray eyes and flowing beard, offered a fine subject; and there was something really royal and massive and noble in the head that Lavender, well satisfied with his work, took down stairs one evening. Sheila was alone in the drawing-room, turning over some music. “Miss Mackenzie,” he said, rather kindly, “would you look at this?” Sheila turned around, and the sudden light of pleasure that leapt to her face was all the praise and all the assurance he wanted. But he had more than that. The girl was grateful to him beyond all the words she could utter; and when he asked her if she would accept the picture, she thanked him by taking his hand for a moment, and then she left the room to call in Ingram and her father. All the evening there was a singular look of happiness on her face. When she met Lavender’s eyes with hers there was a frank and friendly look of gratitude ready to reward him. When had he earned so much before by a simple sketch? Many and many a portrait, carefully executed and elaborately framed, had he presented to his lady friends in London, to receive from them a pretty note and a few words of thanks when next he called. Here with a rough chalk sketch he had awakened an amount of gratitude that almost surprised him, in the most beautiful and tender soul in this world; and had not this princess among women taken his hand for a moment as a childlike way of expressing her thanks, while her eyes spoke more than her lips? And the more he looked at those eyes, the more he grew to despair of ever being able to put down the magic of them in lines and colors.