A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'But you had the receipt in your hand wizin ten minutes ago, Mees
Wag'orn. You took it upstairs. The ink can hardly be now already yet
dry.' But nothing would satisfy her that she had paid until they went
up to her room together and found it after much searching between her
Bible and her eternal novel on the writing-table.
'Forgive me, Madame, but you do forget sometimes, don't you?' she
declared with amusing audacity. 'I like to make quite sure---
especially where money is concerned.' On entering the room she had
entirely forgotten why they came there. She began complaining,
instead, about the bed, which had not yet been made. A standing source
of grumbling, this; for the old lady would come down to breakfast many
a morning, and then go up again before she had it, thinking it was
already late in the day. She worried the _pensionnaires_ to death,
too. It was their duty to keep the salon tidy, and Miss Waghorn would
flutter into the room as early as eight o'clock, find the furniture
still unarranged, and at once dart out again to scold the girls. These
interviews were amusing before they became monotonous, for the old
lady's French was little more than 'nong pas' attached to an
infinitive verb, and the girls' Swiss-German explanations of the
alleged neglect of duty only confused her. 'Nong pas faire la
chambre,' she would say, stamping her foot with vexation. 'You haven't
done the room, though it's nearly dejooner time!' Or else--'Ten
minutes ago it was tidy. Look at it now!' while she dragged them in
and forced them to put things straight, until some one in authority
came and explained gently her mistake. 'Oh, excuse me, Madame,' she
would say then, 'but they do forget _so_ often.' Every one was very
patient with her as a rule.
And of late she had been peculiarly meddlesome, putting chairs
straight, moving vases, altering the lie of table-cloths and the angle
of sofas, opening windows because it was 'so stuffy,' and closing them
a minute later with complaints about the draught, forcing occupants of
arm-chairs to get up because the carpet was caught, fiddling with
pictures because they were crooked either with floor or ceiling, and
never realising that in the old house these latter were nowhere
parallel. But her chief occupation was to prevent the children
crossing their legs when they sat down, or pulling their dresses
lower, with a whispered, 'You _must_ not cross your legs like that; it
isn't ladylike, dear.'
She had been very exasperating and interfering. Tempers had grown
short. Twice running she had complained about the dreadful noise the
_pensionnaires_ made at seven o'clock in the morning. 'Nong pas creer
comme ca!' she called, running down the passage in her dressing-gown
and bursting angrily into their rooms without knocking--to find them
empty. The girls had left the day before.
Public-domain text, read in full here on John Shaqi.
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