A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
And so, one evening after supper, they escaped by the garden, crossed
the field where the standing hay came to their waists, and climbed by
forest paths towards the Wind Wood. It was a spot where giant pines
stood thinly, allowing a view across the lake towards the Alps. The
moss was thick and deep. Great boulders, covered with lichen, lay
about, and there were fallen trees to rest the back against. Here he
had told them once his vision of seeing the wind, and the name had
stuck; for the story had been very vivid, and every time they felt the
wind or heard it stirring in the tree-tops, they expected to see it
too. There were blue winds, black winds, and winds--violent these--of
purple and flaming scarlet.
They lay down, and Cousinenry made a fire. The smoke went up in thin
straight lines of blue, melting into the sky. The sun had set half an
hour before, and the flush of gold and pink was fading into twilight.
The glamour of Bourcelles dropped down upon all three. They ought to
have been in bed--hence the particular enjoyment.
'Are you getting excited now?' asked Monkey, nestling in against him.
'Hush!' he said, 'can't you hear it coming?'
'The excitement?' she inquired under her breath.
'No, the Night. Keep soft and silent--if you can.'
'Tell us, please, at once,' both children begged him instantly, for
the beauty of the place and hour demanded explanation, and
explanation, of course, must be in story or adventure form. The fire
crackled faintly; the smell crept out like incense; the lines of smoke
coiled upwards, and seemed to draw the tree-stems with them. Indeed
they formed a pattern together, big thick trunks marking the uprights
at the corners, and wavy smoke lines weaving a delicate structure in
between them. It was a kind of growing, moving scaffolding. Saying
nothing, Cousin Henry pointed to it with his finger. He traced its
general pattern for them in the air.
'That's the Scaffolding of the Night beginning,' he whispered
presently, feeling adventure press upon him.
'Oh, I say,' said Jimbo, sitting up, and pretending as usual more
comprehension than he actually possessed. But his sister instantly
asked, 'What is it--the Scaffolding of the Night? A sort of cathedral,
you mean?'
How she divined his thought, and snatched it from his mind always,
this nimble-witted child! His germ developed with a bound at once.
'More a palace than a cathedral,' he whispered. 'Night is a palace,
and has to be built afresh each time. Twilight rears the scaffolding
first, then hangs the Night upon it. Otherwise the darkness would
simply fall in lumps, and lie about in pools and blocks, unfinished--a
ruin instead of a building. Everything must have a scaffolding first.
Look how beautifully it's coming now,' he added, pointing, 'each
shadow in its place, and all the lines of grey and black fitting
exaccurately together like a skeleton. Have you never noticed it
before?'
Public-domain text, read in full here on John Shaqi.
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