A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
For the moon that instant came up, it seemed with a rush, and the line
of distant Alps moved forward, blocked vividly against the silvery
curtain that she brought. Her sight ran instantly about the world.
Between the trees shot balls of yellowish white, unfolding like ribbon
as they rolled. They splashed the rocks and put shining pools in the
hollows among the moss. Spangles shone on Monkey's hair and eyes;
skins and faces all turned faintly radiant. The lake, like a huge
reflector, flashed its light up into the heavens. The moon laid a
coating of her ancient and transfiguring paint upon the enormous
structure, festooning the entire sky. 'She's put the silver rivets
in,' said Jimbo.
'Now we can go,' whispered Rogers, 'only, remember, it's a giddy
business, rather.'
All three went fluttering after it, floating, rising, falling, like
fish that explore a sunken vessel in their own transparent medium. The
elastic structure bore them easily as it swung along. Its enormous
rhythm lulled their senses with a deep and drowsy peace, and as they
climbed from storey to storey it is doubtful if the children caught
their leader's words at all. There were no echoes--the spaces were too
vast for that--and they swung away from spar to spar, and from rafter
to rafter, as easily as acrobats on huge trapezes. Jimbo and Monkey
shot upwards into space.
'I shall explore the lower storeys first,' he called after them, his
words fluttering in feathers of sound far up the vault. 'Keep the fire
in sight to guide you home again ...' and he moved slowly towards the
vast ground-floor chambers of the Night. Each went his independent way
along the paths of reverie and dream. He found himself alone.
For he could not soar and float as they did; he kept closer to the
earth, wandering through the under chambers of the travelling building
that swung its way over vineyards, woods, and village roofs. He kept
more in touch with earth than they did. The upper sections where the
children climbed went faster than those lower halls and galleries, so
that the entire framework bent over, breaking ever into a crest of
foaming stars. But in these under halls where he stood and watched
there was far less movement. From century to century these remained
the same. Between the bases of the mighty columns he watched the wave
of darkness drown the world, leading it with a rush of silence towards
sleep. For the children Night meant play and mischief; for himself it
meant graver reverie....
Public-domain text, read in full here on John Shaqi.
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