A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'They have survived, then,' said Daddy with decision. 'The sweetness
of this place has stimulated them afresh. The children'--he glanced
suspiciously at his wife for a moment--'have appropriated them too.
It's a powerful combination. After a pause he added, 'I might develop
that idea in my story--that you've brought back the sweet creations of
childhood with you and captured us all--a sort of starry army.'
'Why not?' interpolated Mother, as who should say there was no harm in
_that_. 'They certainly have been full of mischief lately.'
'Creation _is_ mischievous,' murmured her husband. 'But since you have
come,' he continued aloud,--'how can I express it exactly?--the days
have seemed larger, fuller, deeper, the forest richer and more
mysterious, the sky much closer, and the stars more soft and intimate.
I dream of them, and they all bring me messages that help my story. Do
you know what I mean? There were days formerly, when life seemed
empty, thin, peaked, impoverished, its scale of values horribly
reduced, whereas now--since you've been up to your nonsense with the
children--some tide stands at the full, and things are always
happening.'
'Well, really, Daddy!' said the expression on Mother's face and hands
and knitting-needles, 'you _are_ splendid to-day'; but aloud she only
repeated her little hold-all phrase, 'Why not?'
Yet somehow he recognised that she understood him better than usual.
Her language had not changed--things in Mother worked slowly, from
within outwards as became her solid personality--but it held new
meaning. He felt for the first time that he could make her understand,
and more--that she was ready to understand. That is, he felt new
sympathy with her. It was very delightful, stimulating; he instantly
loved her more, and felt himself increased at the same time.
'I believe a story like that might even sell,' he observed, with a
hint of reckless optimism. 'People might recognise a touch of their
own childhood in it, eh?'
He longed for her to encourage him and pat him on the back.
'True,' said Mother, smiling at him, 'for every one likes to keep in
touch with their childhood--if they can. It makes one feel young and
hopeful--jolly; doesn't it? Why not?'
Their eyes met. Something, long put aside and buried under a burden of
exaggerated care, flashed deliciously between them. Rogers caught it
flying and felt happy. Bridges were being repaired, if not newly
built.
'Nature, you see, is always young really,' he said; 'it's full of
children. The very meaning of the word, eh, John?' turning to his
cousin as who should say, 'We knew our grammar once.'
'_Natura_, yes--something about to produce.' They laughed in their
superior knowledge of a Latin word, but Mother, stirred deeply though
she hardly knew why, was not to be left out. Would the bridge bear
her, was perhaps her thought.
Public-domain text, read in full here on John Shaqi.
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