A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
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A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
Daddy continued, unabashed and radiant. Hitherto, he knew, his wife's
attitude, though never spoken, had been very different. She almost
resented his intense preoccupation with stories that brought in so
little cash. It would have been better if he taught English or gave
lessons in literature for a small but regular income. He gave too much
attention to these unremunerative studies of types she never met in
actual life. She was proud of the reviews, and pasted them neatly in a
big book, but his help and advice on the practical details of the
children's clothing and education were so scanty. Hers seemed ever the
main burden.
Now, for the first time, though she distrusted fantasy and deemed it
destructive of action, she felt something real. She listened with a
kind of believing sympathy. She noticed, moreover, with keen pleasure,
that her attitude fed him. He talked so freely, happily about it all.
Already her sympathy, crudely enough expressed, brought fuel to his
fires. Some one had put starlight into her.
'He's been hungry for this all along,' she reflected; 'I never
realised it. I've thought only of myself without knowing it.'
'Yes, I'll put you in, old Mother,' he went on, 'and Rogers and the
children too. In fact, you're in it already,' he chuckled, 'if you
want to know. Each of you plays his part all day long without knowing
it.' He changed his seat, going over to the window-sill, and staring
down upon them as he talked on eagerly. 'Don't you feel,' he said,
enthusiasm growing and streaming from him, 'how all this village life
is a kind of dream we act out against the background of the sunshine,
while our truer, deeper life is hidden somewhere far below in half
unconsciousness? Our daily doings are but the little bits that emerge,
tips of acts and speech that poke up and out, masquerading as
complete? In that vaster sea of life we lead below the surface lies my
big story, my fairy-tale--when we sleep.' He paused and looked down
questioningly upon them. 'When we sleep,' he repeated impressively,
struggling with his own thought. 'You, Mother, while you knit and sew,
slip down into that enormous under-sea and get a glimpse of the
coloured pictures that pass eternally behind the veil. I do the same
when I watch the twilight from my window in reverie. Sunshine
obliterates them, but they go just the same. _You_ call it day-
dreaming. Our waking hours are the clothes we dress the spirit in
after its nightly journeys and activities. Imagination does not create
so much as remember. Then, by transforming, it reveals.'
Mother sat staring blankly before her, utterly lost, while her husband
flung these lumps of the raw material of his story at her--of its
atmosphere, rather. Even Rogers felt puzzled, and hardly followed what
he heard. The intricacies of an artistic mind were indeed bewildering.
How in the world would these wild fragments weave together into any
intelligible pattern?
Public-domain text, read in full here on John Shaqi.
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