A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'What was that?' she asked, relieved to feel more solid ground at
last.
'That I saw the thing from his own point of view,' he replied;
'because I have had similar thoughts all my life. I mean that he's
bagged it all unconsciously out of my own mind; though, of course,' he
hastened to add, 'I could never, never have made use of it as he will.
I could never give it shape and form.'
Mother began to laugh too. He caught the twinkle in her eyes. She
bounced again a little on the springy sofa as she turned towards him,
confession on her lips at last.
'And I do believe you've felt it too, haven't you?' he asked quickly,
before she could change her mind.
'I've felt something--yes,' she assented; 'odd, unsettled; new things
rushing everywhere about us; the children mysterious and up to all
sorts of games and wickedness; and bright light over everything, like-
like a scene in a theatre, somehow. It's exhilarating, but I can't
quite make it out. It can't be right to feel so frivolous and jumpy-
about at my age, can it?'
'You feel lighter, eh?
She burst out laughing. Mother was a prosaic person; that is, she had
strong common-sense; yet through her sober personality there ran like
a streak of light some hint of fairy lightness, derived probably from
her Celtic origin. Now, as Rogers watched her, he caught a flash of
that raciness and swift mobility, that fluid, protean elasticity of
temperament which belonged to the fairy kingdom. The humour and pathos
in her had been smothered by too much care. She accepted old age
before her time. He saw her, under other conditions, dancing, singing,
full of Ariel tricks and mischief--instead of eternally mending
stockings and saving centimes for peat and oil and washerwomen. He
even saw her feeding fantasy--poetry--to Daddy like a baby with a
spoon. The contrast made him laugh out loud.
'You've lived here five years,' he went on, 'but lived too heavily.
Care has swamped imagination. I did the same-in the City-for twenty
years. It's all wrong. One has to learn to live carelessly as well as
carefully. When I came here I felt all astray at first, but now I see
more clearly. The peace and beauty have soaked into me.' He hesitated
an instant, then continued. Even if she didn't grasp his meaning now
with her brains, it would sink down into her and come through later.
'The important things of life are very few really. They stand out
vividly here. You've both vegetated, fossilised, atrophied a bit. I
discovered it in my own case when I went back to Crayfield and--'
He told her about his sentimental journey, and how he found all the
creations of his childhood's imagination still so alive and kicking in
a forgotten backwater of his mind that they all hopped out and took
objective form--the sprites, the starlight express, the boundless
world of laughter, fun and beauty.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account