A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'Thinking of one thing while you were thinking of another!' cried
Monkey. It described exaccurately his state of mind sometimes.
'---and I jotted down the lines on my cuff. So it's not very perfect
yet.'
Mother had him by the arm quickly. Mlle. Vuillemot was hovering in his
neighbourhood, for one thing. It seemed to her they floated over,
almost flew.
'It's a Haystack Woman,' he explained, once they were safely in the
Den grouped about him. 'A Woman of the Haystack who is loved by the
Wind. That is to say, the big Wind loves her, but she prefers the
younger, handsomer little Winds, and---'
He was not allowed to finish. The children laid his cuff back in a
twinkling, drawing up the coat sleeve.
'But surely I know that,' Mother was saying. 'I've heard of her before
somewhere. I wonder where?' Others were saying the same thing. 'It's
not new.'
'Impossible,' said Daddy, 'for the idea only came to me this morning
while I was---'
'Thinking of something else,' Monkey again finished the sentence for
him.
Mother felt that things were rushing about her from another world. She
was vaguely conscious--deliciously, bewilderingly--of having heard
this all before. Imaginative folk have built the certainty of a
previous existence upon evidence as slight; for actual scenery came
with it, and she saw dim forest trees, and figures hovering in the
background, and bright atmosphere, and fields of brilliant stars. She
felt happy and shining, light as a feather, too. It all was just
beyond her reach, though; she could not recover it properly. 'It must
have been a dream _she_ told me,' was her conclusion, referring to
Mlle. Lemaire. Her old friend was in it somewhere or other. She felt
sure of that.
She hardly heard, indeed, the silly lines her husband read aloud to
the children. She liked the sound of his voice, though; it suggested
music she had known far away--in her childhood.
'It's high spirits really,' whispered Rogers, sitting beside her in
the window. 'It's a sort of overflow from his story. He can't do that
kind of rhyme a bit, but it's an indication---'
'You think he's got a fine big story this time?' she asked under her
breath; and Cousin Henry's eyes twinkled keenly as he gave a
significant nod and answered: 'Rather! Can't you feel the splendour
all about him, the strength, the harmony!'
She leaped at the word. Harmony exactly described this huge new thing
that had come into the family, into the village, into the world. The
feeling that they all were separate items, struggling for existence
one against the other, had gone for ever. Life seemed now a single
whole, an enormous pattern. Every one fitted in. There was effort--
wholesome jolly effort, but no longer the struggle or fighting that
were ugly. To 'live carelessly' was possible and right because the
pattern was seen entire. It was to live in the whole.
'Harmony,' she repeated to herself, with a great swelling happiness in
her heart, 'that's the nunculus of the matter.'
Public-domain text, read in full here on John Shaqi.
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