A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'Ah, oui,' said Minks, who had been studying phrase books, 'je vwa.'
But in reality he saw with difficulty, for a spark had got into his
eye, and its companion optic, wandering as usual, was suffused with
water too.
The news of their arrival had, of course, preceded them, and the row
of waving figures in the field gave them a welcome that went straight
to Minks's heart. He felt proud for his grand employer. Here was a
human touch that would modify the majesty of the impersonal mountain
scenery in his description. He waved his handkerchief frantically as
the train shot past, and he hardly knew which attracted him most--the
expression of happiness on Mr. Rogers's face, or the line of
nondescript humanity that gesticulated in the field as though they
wished to stop the Paris 'Rapide.'
For it was a _very_ human touch; and either Barnum's Circus or the
byeways and hedges of Fairyland had sent their picked representatives
with a dance seen usually only in shy moonlit glades. His master named
them as the carriage rattled by. The Paris Express, of course, did not
stop at little Bourcelles. Minks recognised each one easily from the
descriptions in the story.
The Widow Jequier, with garden skirts tucked high, and wearing big
gauntlet gloves, waved above her head a Union Jack that knocked her
bonnet sideways at every stroke, and even enveloped the black triangle
of a Trilby hat that her brother-in-law held motionless aloft as
though to test the wind for his daily report upon the condition of le
barometre. The Postmaster never waved. He looked steadily before him
at the passing train, his small, black figure more than usually
dwarfed by a stately outline that rose above the landscape by his
side, and was undoubtedly the Woman of the Haystack. Telling lines
from the story's rhymes flashed through Minks's memory as, chuckling
with pleasure, he watched the magnificent, ample gestures of Mother's
waving arms. She seemed to brush aside the winds who came a-courting,
although wide strokes of swimming really described her movements best.
A little farther back, in the middle distance, he recognised by his
peaked cap the gendarme, Gygi, as he paused in his digging and looked
up to watch the fun; and beyond him again, solid in figure as she was
unchanging in her affections, he saw Mrs. Postmaster, struggling with
a bed sheet the _pensionnaires des Glycines_ helped her shake in the
evening breeze. It was too close upon the hour of _souper_ for her to
travel farther from the kitchen. And beside her stood Miss Waghorn,
waving an umbrella. She was hatless. Her tall, thin figure, dressed in
black, against the washing hung out to dry, looked like a note of
exclamation, or, when she held the umbrella up at right angles, like a
capital L the fairies had set in the ground upon its head.
Public-domain text, read in full here on John Shaqi.
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