It was a hot morning when Cissy walked alone to chapel early next Sunday. There was a dry irritation in the air which even the northwest trades, blowing through the seaward gorge, could not temper, and for the first time in her life she looked forward to the leafy seclusion of the buried chapel with a feeling of longing. She had avoided her youthful escort, for she wished to practice alone for an hour before the service with the new harmonium that had taken the place of the old accordion and its unskillful performer. Perhaps, too, there was a timid desire to be at her best on the return of Brother Seabright, and to show him, with a new performance, that the “heavenly gift” had not been neglected. She opened the chapel with the key she always carried, “swished” away an intrusive squirrel, left the door and window open for a moment, until the beating of frightened wings against the rafters had ceased, and, after carefully examining the floor for spiders, mice, and other creeping things, brushed away a few fallen leaves and twigs from the top of the harmonium. Then, with her long curls tossed over her shoulders and hanging limply down the back of her new maple-leaf yellow frock,--which was also a timid recognition of Brother Seabright's return,--and her brown eyes turned to the rafters, this rustic St. Cecilia of the Coast Range began to sing. The shell of the little building dilated with the melody; the sashes of the windows pulsated, the two ejected linnets joined in timidly from their coign of vantage in the belfry outside, and the limp vines above the porch swayed like her curls. Once she thought she heard stealthy footsteps without; once she was almost certain she felt the brushing of somebody outside against the thin walls of the chapel, and once she stopped to glance quickly at the window with a strange instinct that some one was looking at her. But she quickly reflected that Brother Seabright would come there only when the deacons did, and with them. Why she should think that it was Brother Seabright, or why Brother Seabright should come thus and at such a time, she could not have explained. He did not, in fact, make his appearance until later, and after the congregation had quite filled the chapel; he did not, moreover, appear to notice her as she sat there, and when he gave out the hymn he seemed to have quietly overlooked the new harmonium. She sang her best, however, and more than one of the audience thought that “little Sister Appleby” had greatly improved. Indeed, it would not have seemed strange to some--remembering Brother Seabright's discursive oratory--if he had made some allusion to it. But he did not. His heavy eyes moved slowly over the congregation, and he began.