A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
On October 10 the King of Denmark gave a masquerade ball to his English
friends, who had entertained him so lavishly. The ball took place at
the Opera House in the Haymarket, and two thousand five hundred guests
responded to the "royal Dane's" invitation. Queen Charlotte did not
appear, she did not approve of masquerades; her virtuous husband also
did not approve of them, but could not resist the temptation of being
present, though he compromised with his conscience by peeping at the
gay scene from a private box, behind transparent shutters. The Princess
Amelia, who was old and infirm, witnessed the revels from another box,
where she sat the whole evening masked. The scene was one of great
brilliancy, and the value of the jewels worn on this occasion was
estimated at upwards of £2,000,000. The company must have been rather
mixed, and a good many people lost articles of jewellery, which they
never recovered. The following account of the ball is taken from the
_Gentleman's Magazine_:--
[Illustration: THE MASKED BALL GIVEN BY CHRISTIAN VII. AT THE OPERA
HOUSE, HAYMARKET.
_From the "Gentleman's Magazine," 1768._]
"His Danish Majesty came in, masked, between ten and eleven o'clock,
dressed in a domino of gold and silver stuff, a black hat and white
feather, walked about with great good nature and pleasantry until
twelve, then withdrew with a select company to supper and appeared
no more.... The Duke of Cumberland was in a crimson domino, trimmed
with gold, black hat and white feather. The Duke of Gloucester in a
purple domino, white hat and white feather. Her Grace the Duchess
of Northumberland appeared in the character of Rembrandt's wife, in
a close black gown trimmed with gold, a rounded coif, a short apron
tucked up, and a painter's brush in her hand. Lady Bel Stanhope and her
sister represented pilgrims in brown gowns with blue sashes trimmed
with silver, and small hats laced round with diamonds. The Countess
of Harrington and the two young ladies, her daughters, were extremely
simple in their appearance, but at the same time extremely elegant....
His Grace the Duke of Northumberland was in a Persian habit, with a
fine turban richly ornamented with diamonds. Lord Grosvenor was in a
splendid suit of the Turkish fashion. The Duchess of Ancaster, in the
character of a Sultana, was universally admired; her robe was purple
satin bordered with ermine, and fluttered on the ground so much in the
style of Eastern magnificence that we were transported in fancy to
the palaces of Constantinople.... Many of the most superb, as well as
the best fancied dresses in the whole assembly were those of eminent
citizens, or those who had acquired their fortunes by trade."
Another account says: "The principal grotesque characters were the
conjurer, the black, and the old woman. There was also a Methodist
preacher, a chimney sweeper, with his bag, shovel and scraper, and a
boar with a bull's head, all of which were supported with great good
humour."[107]
Public-domain text, read in full here on John Shaqi.
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