A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
Struensee recognised that, from the popularity point of view, he had
made a false move, and sought to retrieve it by popularising the court.
Everything now was done for the masses and nothing for the classes.
When, in 1771, spring came (and it comes with a rush in Denmark) the
beautiful gardens of the Rosenborg[163] Castle in Copenhagen, and the
park and gardens of Frederiksberg, outside the walls of the city, were
thrown open to the people, and on Sundays and holidays military bands
performed for their benefit. The King and Queen frequently honoured
the concerts with their presence. They would dine in the palace, and
then mingle freely with the crowd in the gardens, which was composed
of all classes. The grounds of the Rosenborg were especially beautiful
and varied, with shady groves and shrubberies. Often of an evening the
gardens were illuminated with coloured lamps, and refreshment buffets
were erected. Struensee gave permission to the proprietor of the
buffets to open a faro-bank which was much frequented, and the rent
paid for the tables was given to the foundling hospital. Catherine
the Great had done the same thing at St. Petersburg. The clergy again
cursed Struensee from their pulpits; they declared that he turned the
King's gardens into haunts of libertinism, gambling and drunkenness,
and the shady groves and dark alleys into scenes of iniquity. These
charges were greatly exaggerated and fell wide of the mark. Most of the
amusement was quite innocent, and despite the anathema of the Church,
the opening of the royal gardens was the most popular measure of
Struensee's administration.
[163] Rosenborg, a handsome Renaissance palace with pediments and
towers, was erected by that splendour-loving monarch, Christian IV.,
in 1610. It was his favourite residence, and from his death until the
reign of Christian VII. was used as an occasional residence of the
Danish monarchs, who here deposited their jewels, coronation robes and
other treasures. Christian VII. and Matilda never used the Rosenborg
as a residence. It is now converted into a Danish historical museum,
and is full of relics and beautiful things. A visit to it is a most
instructive lesson in Danish history.
CHAPTER XIX.
THE DICTATOR.
1771.
Public-domain text, read in full here on John Shaqi.
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