A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
"Her Majesty is entering upon the most important era of her life, and
at a tender age is launched, as it were alone, into a strange and wide
ocean, where it might require the utmost care and prudence to steer
with that nice conduct which may at once conciliate the affections
of her court and people, and support the dignity of that high station
to which Providence has called her".[74]
[74] Conway's despatch to Gunning, St. James's, November 18, 1766.
CHAPTER VII.
MARIAGE À LA MODE.
1766-1767.
The court of Denmark over which Matilda was now the reigning Queen,
though not the ruling spirit, was the last place in the world for a
young and innocent girl to be sent alone. It was a hotbed of intrigue,
a stye of vile epicurism, where even decency was disregarded. Cunning
as foxes, and like foxes in their lust and greed, the majority of the
courtiers thought only of advancing their personal interests at the
expense of each other, or by vain and frivolous amusement to kill the
passing hour. All things that made for purity of life, nobility of
purpose, or singleness of heart, were mocked at and derided. Truth,
honour and virtue were by-words. During the later years of Frederick
V.'s reign the influence of the French court (at its worst) had not
been confined in Denmark to politics alone, but extended to manners and
morals as well. This influence became far more visible at the court
of Christian VII. than at that of his father. The society which the
young King collected around him within the walls of the Christiansborg
Palace did its best to copy Versailles, and it succeeded in aping the
vices, if not the superficial refinement, of the court of France.
At Christiansborg might be seen the same type of silly brainless
persons as those who flitted about the ante-chambers of Versailles,
who adopted the same frivolous tone, and the same loose morals. Their
avowed object was to avoid _ennui_, but in their pursuit of pleasure
they often caught boredom. The Danish courtiers, both men and women,
were artificial to the core. They painted their faces, powdered their
hair, and dressed extravagantly. They disguised every real sentiment,
and sought always to seem what they were not. They expressed nothing
but contempt for the language and customs of their native land. To be
Danish was _bourgeois_, to be virtuous even more so.
Public-domain text, read in full here on John Shaqi.
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