A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
"I came to town to see the Danish King. He is as diminutive as if he
came out of a kernel in the Fairy Tales. He is not ill made, nor weakly
made, though so small; and, though his face is pale and delicate,
it is not at all ugly.... Still he has more royalty than folly in
his air, and, considering he is not twenty, is as well as any one
expects any king in a puppet show to be.... He only takes the title
of _Altesse_ (an absurd mezzo-termine), but acts king exceedingly;
struts in the circle, like a cock-sparrow, and does the honours of
himself very civilly."[96] And again: "He has the sublime strut of his
grandfather (George II.), and the divine white eyes of all his family
on the mother's side.... The mob adore and huzza him, and so they did
at the first instant. They now begin to know why, for he flings money
to them out of the window; and by the end of the week, I do not doubt
they will want to choose him for Middlesex. His court is extremely well
ordered, for they bow as low to him at every word as if his name were
Sultan Amurath. You would take his first minister for only the first
of his slaves.... There is indeed a pert young gentleman who a little
discomposes this august ceremonial; his name is Count Holck, his age
three-and-twenty; and his post answers to one that we had formerly in
England ages ago, called, in our tongue, a royal favourite."[97]
[95] _Grenville Papers_, vol. iv.
[96] Walpole's _Letters_, vol. v., edition 1857.
[97] _Ibid._
Lady Hertford's assembly was followed by a magnificent entertainment
at Syon House, given by the Duke and Duchess of Northumberland. "An
inexpressible variety of emblematical devices was illuminated by
more than fifteen thousand lamps, and the temple erected in the inner
court was ornamented by transparent paintings, which had a very happy
effect."[98] A gala performance was also given at the opera, which was
attended by all the rank and fashion of the town, though the King and
Queen were absent. After the opera the King went to Mrs. Cornelys'
house in Soho Square (a sort of Assembly Rooms at that period). "Mrs.
Cornelys had put the apartments in all the possible order that a few
hours' notice would admit of, and the whole was splendidly illuminated
with upwards of two thousand wax lights. The moment the King entered
the grand room the music (consisting of French horns, clarinets,
bassoons, etc.) began playing, and his Majesty seemed very much pleased
at the agreeable manner of his reception. Dancing was proposed; the
King opened the ball with the Duchess of Ancaster, and named the second
minuet with the Countess of Harrington; the minuets were succeeded by
English country dances, and those by the French cotillons."[99]
[98] _The Annual Register_, 1768.
[99] _Ibid._
Public-domain text, read in full here on John Shaqi.
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