Of all this beauty outspread before his sight Fringuello saw little;
his eyes were always set on the sand and shingle into which he drove
his heart-shaped spade--all which is the pageant of the painter, the
paradise of the poet, but is nothing to the toiler of the soil. The
sweat of his fatigue drops down before his eyes, and shuts out from
him the scenes amidst which he dwells. For him the weir has no song,
the orchard no poem, the mountains no counsel, and the vales no charm.
He does but see the cart-rucks in the sand, the house-fly in the
sunlight, the coins hard-earned in his horny palm, the straw which
covers the coveted wine-flask, or the glass which holds the hot and
acid flavours of less natural drinks. Now and then Giotto looks up from
his sheepfold, and Robert Burns from his furrow, but it is only once in
a century. This poor labourer, Fringuello, lived in two little rooms
in a poor house which looked on the weir and the water-mills. He had
never been able to have a house of his own, and even the small charge
of the rooms was more than he could easily pay, miserable though they
were. His employment was intermittent, and in winter, when the river
was spread wide over its bed, covering the sand and shingle, it ceased
entirely. Some odd jobs he got elsewhere, but nothing certain. He had
no knowledge of any other work than the digging and carrying which had
been his lot. But he was always merry, with the mirth which had gained
him his nickname, and in his light-hearted poverty had done what the
poorest always do--he had married at twenty a girl as poor as himself.
She was called Lizina, the familiar corruption of Luisa, and was the
daughter of a cobbler of the adjacent village of Ripoli.
It was an imprudent union and a foolish one, but it was happier than
many which fulfil every condition of prudence and thrift. Lizina was
a blithe, buoyant, active, and laborious creature, and whilst she
lived he never had a hole in his hempen shirt, or went without a
tablespoonful of oil to his beans and bread. They were as merry and
happy as if they had really been a pair of chaffinches in a nest in
one of the pear-trees. But of joy the gods are envious, whether it go
to roost in garret or palace, and in a few brief years Lizina died of
fever and left him all alone with one little girl, as like herself as
the bud is like the flower.
Public-domain text, read in full here on John Shaqi.
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