A Reckless Character, and Other StoriesTurgenev, Ivan Sergeevich
General
A Reckless Character, and Other Stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
Three hours later Antonio presented himself before him with the report
that everything was ready, all the things were packed, and Signor Muzio
was preparing to depart. Without uttering a word in answer to his
servant, Fabio stepped out on the terrace, whence the pavilion was
visible. Several pack-horses were grouped in front of it; at the porch
itself a powerful black stallion, with a roomy saddle adapted for two
riders, was drawn up. There also stood the servants with bared heads and
the armed escort. The door of the pavilion opened and, supported by the
Malay, Muzio made his appearance. His face was deathlike, and his arms
hung down like those of a corpse,--but he walked ... yes! he put one
foot before the other, and once mounted on the horse, he held himself
upright, and got hold of the reins by fumbling. The Malay thrust his
feet into the stirrups, sprang up behind him on the saddle, encircled
his waist with his arm,--and the whole procession set out. The horses
proceeded at a walk, and when they made the turn in front of the house,
Fabio fancied that on Muzio's dark countenance two small white patches
gleamed.... Could it be that he had turned his eyes that way?--The Malay
alone saluted him ... mockingly, but as usual.
Did Valeria see all this? The shutters of her windows were closed ...
but perhaps she was standing behind them.
XIV
At dinner-time she entered the dining-room, and was very quiet and
affectionate; but she still complained of being weary. Yet there was no
agitation about her, nor any of her former constant surprise and secret
fear; and when, on the day after Muzio's departure, Fabio again set
about her portrait, he found in her features that pure expression, the
temporary eclipse of which had so disturbed him ... and his brush flew
lightly and confidently over the canvas.
Husband and wife began to live their life as of yore. Muzio had vanished
for them as though he had never existed. And both Fabio and Valeria
seemed to have entered into a compact not to recall him by a single
sound, not to inquire about his further fate; and it remained a mystery
for all others as well. Muzio really did vanish, as though he had sunk
through the earth. One day Fabio thought himself bound to relate to
Valeria precisely what had occurred on that fateful night ... but she,
probably divining his intention, held her breath, and her eyes narrowed
as though she were anticipating a blow.... And Fabio understood her: he
did not deal her that blow.
One fine autumnal day Fabio was putting the finishing touches to the
picture of his Cecilia; Valeria was sitting at the organ, and her
fingers were wandering over the keys.... Suddenly, contrary to her own
volition, from beneath her fingers rang out that Song of Love Triumphant
which Muzio had once played,--and at that same instant, for the first
time since her marriage, she felt within her the palpitation of a new,
germinating life.... Valeria started and stopped short....
Public-domain text, read in full here on John Shaqi.
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