Married people -- Fiction; Mothers-in-law -- Fiction
As he made this resolution, Theodora entered. She came forward with both
hands extended, and her face was radiant, and her voice full of happy
tones. He would have taken her in his arms, but she kept his hands in
hers and led him to a seat. Then Mr. Newton came in with David, and he
threw open the windows, and let in the sunshine, and Theodora was
revealed in all her splendid beauty. In a long white dress, with a white
rose in her hair, she lacked nothing that rich materials or vivid colors
could have given her. Her beautiful hair, her sparkling eyes, her
exquisite complexion, the potent sense of health and vitality which was
her atmosphere, commanded instant delight and admiration; and Robert
could only gaze and wonder. How had this brilliant woman been evolved
from the pale, frail, perishing Theodora he had last seen?
In a short time the three men went out together to look at the fruit
trees and the wonderful flowers, and Theodora assisted her mother to
prepare such a meal as she knew Robert enjoyed; and when they sat down
to it, she placed Robert at her right hand. They were still at the table
when David came galloping home, and in a few minutes he entered the
room. Every eye was turned on the boy, but he saw at first no one but
his uncle.
"Cousin Agnes won!" he cried, "won by two lengths, uncle. Isn't she
great?" Then he noticed his father, and for a few moments seemed
puzzled. There was not a word, not a movement as the boy gazed. Theodora
held her breath in suspense. But it was only for a few moments; joyfully
he exclaimed: "I know! I know!" and the next instant his arms were round
his father's neck, and he was crying, "It is father! Father, father! Let
me sit beside him, mother." And Theodora made room for the boy's chair
between them.
The evening was a revelation to the discarded husband. Theodora sang
wonderfully some American songs that Robert had never before
heard--music with a charm entirely fresh and new; and David recited an
English and Latin lesson, and then at his uncle's request, spoke in good
broad Scotch Robert Burns' grand lyric, "_A Man's a Man for a' That_."
Robert said little, but he drew the lad between his knees, and whispered
something to him which transfigured the child's face. He trusted his
father implicitly, he always had done, and his father had a heartache
that night, when he thought of the wrong that might have been done to
the helpless child.
Soon after nine o'clock, David Campbell said: "Come, brother, we have a
short ride before us, and I like to close my house at ten; also I am
sure you are weary."
Robert said he was, but he rose more like a man that had received a
blow, than one simply tired. He could scarcely speak his adieus--and he
could not answer Theodora's invitation to "call early on the following
day" except in single words. "Yes--no--perhaps."
Public-domain text, read in full here on John Shaqi.
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