A Residence in France: With an Excursion Up the Rhine, and a Second Visit to SwitzerlandCooper, James Fenimore
History
A Residence in France: With an Excursion Up the Rhine, and a Second Visit to Switzerland
Cooper, James Fenimore
France -- Description and travel; Germany -- Description and travel; Switzerland -- Description and travel
After taking half-a-dozen steps with extreme caution, I paused a moment,
for the whole air appeared to be filled by a clatter, as if ten thousand
bats' wings were striking against glass. This was evidently within the
convent, while, without, the wind howled even louder than ever. My hand
rested on something, I knew not what. At first I did not even know
whether I was in the open air, or not, for I felt the wind, saw large
spaces of dim light, and yet could distinguish that something like a
vault impended over my head. Presently a vivid flash of lightning
removed all doubt. It flickered, seemed extinguished, and flared up
again, in a way to let me get some distinct ideas of the _locus in quo_.
I had clearly blundered into the convent chapel; not upon its pavement,
which was on a level with the cloisters below, but into an open gallery,
that communicated with the apartments of the nuns, and my hand was on
the chair of the lady abbess, the only one that remained. The dim light
came from the high arched windows, and the bats' wings were small broken
panes rattling in the gale. But I was not alone. By the transient light
I saw several grim figures, some kneeling, others with outstretched
arms, bloody and seared, and one appeared to be in the confessional. At
the sight of these infernal spectres, for they came and went with the
successive flashes of the lightning, by a droll chain of ideas, I caught
myself shouting, rather than singing--"Ship ahoy! ship ahoy!--what
cheer, what cheer?" in a voice loud as the winds. At last, here was a
sensation! Half-a-dozen flashes rendered me familiar with the
diabolical-looking forms, and as I now knew where to look for them, even
their grim countenances were getting to be familiar. At this moment,
when I was about to address them in prose, the door by which I had
entered the gallery opened slowly, and the withered face of an old woman
appeared in a flash. The thunder came next, and the face vanished--"Ship
ahoy! ship ahoy!--what cheer, what cheer?" There was another pause--the
door once more opened, and the face re-appeared. I gave a deep and loud
groan; if you ask me why, I can only say, because it seemed to be
wanting to the general effect of the scene and place. The door slammed,
the face vanished, and I was alone again with the demons. By this time
the gust was over I groped my way out of the gallery, stole through the
corridor into my own room, and went to bed. I ought to have had exciting
dreams, especially after the _Liebfraumilch_, but, contrary to all
rule, I slept like a postilion in a cock-loft, or a midshipman in the
middle watch.
Public-domain text, read in full here on John Shaqi.
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