We were greeted, on reaching the gate, not by a warder, but by the growl and bark of a ferocious mastiff, who would have been more in keeping at his post near a henroost, than at the portal of a princely castle. One "half-groom, half-seneschal," and who was withal a little drunk, however, soon came forth to receive us, and, after an exhortation to the dog in a Dutch that was not quite as sonorous as the growl of the animal, he very civilly offered to do the honours of the place. We entered by a small drawbridge, but the buildings stand so near the brow of an impending rock, as to induce me to think this bridge has been made for effect, rather than to renew the original design. A good deal of the old wall remains, especially in the towers, which are mostly round, and all that has been done with the exterior, has been to fill the gaps, and to re-attach the balconies and the external staircases, which are of iron. I can no more give you a clear idea of the irregular form of this edifice with the pen, than you would obtain of the intricate tracery of Gothic architecture, having never seen a Gothic edifice, or studied a treatise on the style, by the same means. You will understand the difficulty when you are told that this castle is built on crags, whose broken summits are its foundations, and give it its form. The court is narrow and inconvenient, carriages never approaching it, but several pretty little terraces in front answer most of the purposes of courts, and command lovely glimpses of the Rhine, in both directions. These terraces, like the towers and walls, were placed just where there was room, and the total absence of regularity forms one of the charms of the place. In the interior, the ancient arrangement has been studiously respected. The furniture is more than imitation, for we were told that much of it had been taken from the royal collections of Berlin. By royal, you are not to suppose, however, that there are any attempts at royal state, but merely that the old castles of the barons and counts, whose diminutive territories have contributed to rear the modern state of Prussia, have been ransacked for this end. The Ritter Saal, or Knight's Hall, though not large, is a curious room; indeed it is the only one in the entire edifice that can be called a good room, at all. The fire-place is huge,--so much so, that I walked into it with ease, and altogether in the ancient style. There is a good deal of curious armour hung up in this room, and it has many other quaint and rare objects. The chandelier was a circle formed by uniting buck's horns, which were fitted with lamps. There was almost too much good taste about this for feudal times, and I suspect it of being one of our modern embellishments; a material picture of the past, like a poem by Scott. There may have been some anachronisms in the furniture, but we all use furniture of different ages, when we are not reduced to the fidgety condition of mere gentility.