In my brief backward look at Heliobas, I noted that when that
far-distant thunder sounded, he grew very pale. Why? He was certainly
not one to have any dread of a storm--he was absolutely destitute of
fear. I went into the drawing-room with a hesitating step--my instincts
were all awake and beginning to warn me, and I murmured softly a prayer
to that strong, invisible majestic spirit which I knew must be near
me--my guardian Angel. I was answered instantly--my foreboding grew
into a positive certainty that some danger menaced Heliobas, and that
if I desired to be his friend, I must be prepared for an emergency.
Receiving this, as all such impressions should be received, as a direct
message sent me for my guidance, I grew calmer, and braced up my
energies to oppose SOMETHING, though I knew not what.
Zara was showing her lady-visitors a large album of Italian
photographs, and explaining them as she turned the leaves. As I entered
the room, she said eagerly to me:
"Play to us, dear! Something soft and plaintive. We all delight in your
music, you know."
"Did you hear the thunder just now?" I asked irrelevantly.
"It WAS thunder? I thought so!" said Mrs. Everard. "Oh, I do hope there
is not going to be a storm! I am so afraid of a storm!"
"You are nervous?" questioned Zara kindly, as she engaged her attention
with some very fine specimens among the photographs, consisting of
views from Venice.
"Well, I suppose I am," returned Amy, half laughing. "Yet I am plucky
about most things, too. Still I don't like to hear the elements
quarrelling together--they are too much in earnest about it--and no
person can pacify them."
Zara smiled, and gently repeated her request to me for some music--a
request in which Mrs. Challoner and her daughters eagerly joined. As I
went to the piano I thought of Edgar Allan Poe's exquisite poem:
"In Heaven a spirit doth dwell,
Whose heart-strings are a lute;
None sing so wildly well
As the angel Israfel,
And the giddy stars, so legends tell,
Ceasing their hymns, attend the spell
Of his voice--all mute."
As I poised my fingers above the keys of the instrument, another long,
low, ominous roll of thunder swept up from the distance and made the
room tremble.
"Play--play, for goodness' sake!" exclaimed Mrs. Everard; "and then we
shall not be obliged to fix our attention on the approaching storm!"
I played a few soft opening arpeggio passages, while Zara seated
herself in an easy-chair near the window, and the other ladies arranged
themselves on sofas and ottomans to their satisfaction. The room was
exceedingly close: and the scent of the flowers that were placed about
in profusion was almost too sweet and overpowering.
"And they say (the starry choir
And the other listening things)
That Israfeli's fire
Is owing to that lyre,
By which lie sits and sings,--
The trembling living wire
Of those unusual strings."
Public-domain text, read in full here on John Shaqi.
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