One day I was puzzled by the arrival of a picture carefully boxed up and addressed to me, which on opening I discovered to be the portrait of me which Paul Barr had painted. In selecting material for my entertainments I had naturally thought of him among the first, but inquiry failed to discover his whereabouts. He had left town a few days subsequent to the harassing scene between us, and there were no traces of him beyond the direction on the door of his studio that all communications intrusted to the janitor of the building would ultimately reach him. To this address I sent several notes of invitation, hoping perhaps to catch him on the wing or lure him from retirement. But at the time the portrait arrived I had ceased to make further attempts. There was no note or card accompanying it, but the bold superscription left no doubt in my mind as to the donor. A few weeks later I was astonished and delighted at one of my receptions to see the artist-poet's massive figure towering above the other guests, and an instant later we had exchanged the most cordial of hand-shakings, attended on his part as ever by profuse gesture and compliment, and on mine by genuine good-will, which it was easy to see he reciprocated. He looked little changed, unless it were that he was handsomer and more extraordinary than formerly, and his presence caused much lively speculation as to the new celebrity I had unearthed. He had been abroad, studying and travelling,--and trying to forget, he added. The last he had found impossible, he said; but though he sighed as he spoke, I knew that his wound was healed. He was to resume his work at once; had brought back a host of ideas he was eager to put into execution, and was what he called "under the mastery of the twin demi-gods--necessity and aspiration." Later I thanked him for his picture, which I told him, as was notably the case, artistic circles were raving over. Indeed, when I let it be known that the handsome stranger was no other than Paul Barr, whose genius was already celebrated, he received an ovation. Nor was it exhausted at my house. He was instantly taken up by the critics and by fashionable folk alike, to such an extent that I became apprehensive lest so much attention would detract from the merit of his new work. But though I feared from what was whispered concerning him that his temperament and habits were still mercurial, he had evidently studied to some purpose; for his pictures, the _abandon_ of which would have shocked Mr. Spence more than ever, became instantly the vogue, and brought him speedy fame and fortune. For both of these he persisted in considering himself indebted to me. I never ventured to run the risk of wounding his sensibilities by offering him anything for the portrait, although in a merchantable sense its value was excessive.