She was going to answer, “No,” when it struck her that she did mind, so she answered, “Yes.” She added merrily, “I don’t see _you’re_ such a splendid player, though. The light was behind you, and it was in my eyes.” “I never said I was.” “Why, you did!” “You didn’t attend.” “You said—oh, don’t go in for accuracy at this house. We all exaggerate, and we get very angry with people who don’t.” “‘The scene is laid in Florence,’” repeated Cecil, with an upward note. Lucy recollected herself. “‘Sunset. Leonora was speeding—’” Lucy interrupted. “Leonora? Is Leonora the heroine? Who’s the book by?” “Joseph Emery Prank. ‘Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset—the sunset of Italy. Under Orcagna’s Loggia—the Loggia de’ Lanzi, as we sometimes call it now—’” Lucy burst into laughter. “‘Joseph Emery Prank’ indeed! Why it’s Miss Lavish! It’s Miss Lavish’s novel, and she’s publishing it under somebody else’s name.” “Who may Miss Lavish be?” “Oh, a dreadful person—Mr. Emerson, you remember Miss Lavish?” Excited by her pleasant afternoon, she clapped her hands. George looked up. “Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here.” “Weren’t you pleased?” She meant “to see Miss Lavish,” but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. “No wonder the novel’s bad,” she added. “I never liked Miss Lavish. But I suppose one ought to read it as one’s met her.” “All modern books are bad,” said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. “Every one writes for money in these days.” “Oh, Cecil—!” “It is so. I will inflict Joseph Emery Prank on you no longer.” Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. “How do you like this view of ours, Mr. Emerson?” “I never notice much difference in views.” “What do you mean?” “Because they’re all alike. Because all that matters in them is distance and air.” “H’m!” said Cecil, uncertain whether the remark was striking or not. “My father”—he looked up at her (and he was a little flushed)—“says that there is only one perfect view—the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it.” “I expect your father has been reading Dante,” said Cecil, fingering the novel, which alone permitted him to lead the conversation.