British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
He read: “‘There came from his lips no wordy protestation such as
formal lovers use. No eloquence was his, nor did he suffer from the
lack of it. He simply enfolded her in his manly arms.’”
“This isn’t the passage I wanted,” he informed them, “there is another
much funnier, further on.” He turned over the leaves.
“Should we go in to tea?” said Lucy, whose voice remained steady.
She led the way up the garden, Cecil following her, George last. She
thought a disaster was averted. But when they entered the shrubbery it
came. The book, as if it had not worked mischief enough, had been
forgotten, and Cecil must go back for it; and George, who loved
passionately, must blunder against her in the narrow path.
“No—” she gasped, and, for the second time, was kissed by him.
As if no more was possible, he slipped back; Cecil rejoined her; they
reached the upper lawn alone.
Chapter XVI
Lying to George
But Lucy had developed since the spring. That is to say, she was now
better able to stifle the emotions of which the conventions and the
world disapprove. Though the danger was greater, she was not shaken by
deep sobs. She said to Cecil, “I am not coming in to tea—tell mother—I
must write some letters,” and went up to her room. Then she prepared
for action. Love felt and returned, love which our bodies exact and our
hearts have transfigured, love which is the most real thing that we
shall ever meet, reappeared now as the world’s enemy, and she must
stifle it.
She sent for Miss Bartlett.
The contest lay not between love and duty. Perhaps there never is such
a contest. It lay between the real and the pretended, and Lucy’s first
aim was to defeat herself. As her brain clouded over, as the memory of
the views grew dim and the words of the book died away, she returned to
her old shibboleth of nerves. She “conquered her breakdown.” Tampering
with the truth, she forgot that the truth had ever been. Remembering
that she was engaged to Cecil, she compelled herself to confused
remembrances of George; he was nothing to her; he never had been
anything; he had behaved abominably; she had never encouraged him. The
armour of falsehood is subtly wrought out of darkness, and hides a man
not only from others, but from his own soul. In a few moments Lucy was
equipped for battle.
“Something too awful has happened,” she began, as soon as her cousin
arrived. “Do you know anything about Miss Lavish’s novel?”
Miss Bartlett looked surprised, and said that she had not read the
book, nor known that it was published; Eleanor was a reticent woman at
heart.
“There is a scene in it. The hero and heroine make love. Do you know
about that?”
“Dear—?”
“Do you know about it, please?” she repeated. “They are on a hillside,
and Florence is in the distance.”
“My good Lucia, I am all at sea. I know nothing about it whatever.”
Public-domain text, read in full here on John Shaqi.
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