A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
Thence our guide wished to take us to the national manufactory of fire
arms, which is carried on with great activity in this town; but having
seen many acknowledgedly superior works of the same kind in England, we
declined visiting it, and proceeded at once to the palace. This superb
building has not suffered at all during the revolution; though, from
being neglected and uninhabited, it has contracted a kind of gloom,
which forcibly recals the misfortunes of its last possessors, and the
uncertainty of human grandeur. The magnificent furniture, which the
apartments once contained, has been removed; but the walls are not
without ornament, for the palace having been made (probably with the view
of preserving it from popular violence) a _musée central_, or _dépôt_
of the works of art, now possesses several valuable pictures, and a
few excellent statues. Among the former, I remarked some good _Claude
Loraines_, and two beautiful portraits by _Vincent_. The subject of one
was Henry IV of France; and the other, that of the celebrated president,
Molé. The latter is painted in his parliamentary robes, heroically
exposing his breast to the violence of the mob, and doing his duty,
unmoved by the poniards raised against him. You seem to hear him exclaim,
as history records he did, “La distance est grande de la main d’un
assassin au cœur d’un honnête homme[64].”
We walked through the vast suite of rooms, which, once the seat of
gayety, splendour, luxury, and royal magnificence, are now the abode of
solitude, and the monument of fallen grandeur.
It is unnecessary to state the many reflections which this spot created.
We failed not to visit the apartment which the unfortunate Lewis
XVI occupied on the 6th of october, and in which _Marie Antoinette_
took refuge. We were also shown the balcony window (now stopped up),
where that virtuous and ill fated princess, _madame Elizabeth_, with a
magnanimity truly heroic, presented herself, when the queen was called
for, and being taken for her, voluntarily subjected herself to all the
brutal violence of an irritated mob.
We likewise saw the opera house, built for the wedding of Lewis XVI,
when dauphin, and which, during the last reign, was sometimes used as a
theatre, and sometimes as a ball room. The apartment is still perfect,
but the scenes and decorations have been removed.
On leaving the palace, we visited several _jets d’eau_; but were
prevented from viewing the garden as particularly as we could have
wished, a violent shower of rain having overtaken us.
The waterworks and pleasure grounds appear to have been much neglected.
We dined at the _Little Trianon_, and slept there. The room, which fell
to my share, was that which the unhappy Lewis formerly occupied, and
the key of the door had attached to it a label, on which could still be
discovered, though half effaced, the words, “appartement du roi[65].”
Public-domain text, read in full here on John Shaqi.
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