A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
All Paris has been alive for the last three days. Can you guess the
reason? Perhaps you will imagine, that the inhabitants, roused from
the state of lethargy, into which they have for some time back been
plunged, are beginning to give sincere but tardy marks of joy, at the
reestablishment of internal order, and external peace. Not at all, my
good friend. A subject, much more interesting to the parisians, is the
cause of the show and gayety so generally exhibited. Know, then, that
“_Long Champ_” has begun! I must now, like other learned commentators,
explain my explanation.
“Long Champ” is the name of a village, situate on the other side of the
“Bois de Boulogne,” of which latter place I spoke to you in a former
letter. In this village stood an abbey, or church; and one of the holy
fathers, some hundred years ago, had a voice of such extraordinary
sweetness, that, when high mass was performed, crowds of Parisians
flocked to hear him. His popularity was not confined to the lower class,
and the _noblesse_ shared the curiosity of the public. The fashion of
going to Long Champ so rapidly increased, that, in a short time, it was
no uncommon thing to see whole strings of splendid carriages at the door
of the convent. The road to this village became the favourite ride, and
vanity soon discovered, that it afforded an excellent opportunity of
displaying all the varieties of dress, and all the pomp of equipage.
In the course of a few years, it became an established custom, at this
particular period of the year, to make, during three days, not an humble
pilgrimage, but a splendid procession, to Long Champ. The mass and the
singer were soon forgotten; but the _promenade_ continued, and increased
every year in the magnificence of parade. To appear, on this occasion,
with becoming grandeur, the haughty, but often distressed noble, would,
for months beforehand, deprive himself of his ordinary comforts. To
rival “les dames de bonne compagnie[70]” in richness of dress, in show
of equipage, and blaze of diamonds, was the grand object of the admired
_belles_ of the opera house; and the means of doing so, was the exacted
price of those smiles, which the well beneficed prelate, or the wealthy
_financier_, were sometimes permitted to enjoy. The _Bourgeois_ and their
wives appeared in their humble _cabriolets_, but the former wore their
Sunday apparel; and the latter were loaded with all the tinsel finery,
which, during the course of the year, they had been able to collect. The
common people, or _la canaille_ (as they were then indignantly called),
were equally fond of this procession; and, at the risk of being run over,
crowded and completed the show, some dressed in tattered regimentals,
some in faded silk coats, and ragged embroidered waistcoats, and others
with bag-wig’s and wooden shoes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account