A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
In going away, I perceived at the window of an adjoining hospital, nearly
opposite the church, some ladies of my acquaintance, who were so obliging
as to offer me a place near them, from which I might see the procession.
I had scarcely taken this situation, when a ticket for one of the
privileged places in the church was given me by a person, who was
unwilling to risk the difficulties, with which the approach to the doors
seemed attended. After being sent about to different gates, I at last
found admittance at one. When I reached the gallery, it was so completely
full, that I found myself compelled to take refuge in the orchestra.
From this situation I was again driven by the soldiers; and in despair
I returned to the gallery, where, standing on the back of a tottering
chair, and with at least twenty rows of spectators before me, I caught,
not without some danger, a very imperfect glimpse of this splendid
ceremony.
What I did not see myself, I shall relate on the authority of persons,
who were more fortunately situate, and on whose accuracy I know I can
depend.
The procession began with a numerous escort of different regiments.
Among these were particularly remarked “les guides,” a corps of handsome
young men, clad in hussar dresses, and mounted on beautiful horses, who
excited universal admiration. Next to them came the “_gens d’armes_,” or
“_régiment d’élites_,” lately raised. They are men of a very respectable
appearance, in blue uniforms, faced with yellow, whence long epaulets are
suspended. These, as well as the buttons, are of silver, as is the lace
of their hats. Their horses are black. The consular guards, and several
regiments of the line, completed the military cavalcade. The ministers
of state, and the “corps diplomatique,” came next, and formed a long line
of carriages. Those of the latter were drawn each by four horses, and
ornamented with all the escutcheons of heraldic pomp. Those of the former
were without arms; but they had all six horses, and their servants,
dressed alike, wore splendid liveries, now put on for the first time, of
yellow, gold, and red. A small corps of _Mamalukes_ in their egyptian
_costume_, some of whom led unmounted arabians, and a few aides-de-camp,
immediately preceded the carriage, in which sat Bonaparte, accompanied
by the other two consuls. His coach, new on the occasion, was simply
elegant, and drawn by eight very fine horses richly caparisoned. His
servants appeared in green coats and red waistcoats, on all the seams of
which were rows of broad gold lace. The consuls were received at the door
of the church by the archbishop of Paris, who placed over their head a
_dais_ (or canopy).
_Bonaparte_, with _Cambacères_ on his right, and _le Brun_ on his left
hand, was conducted in this manner to a throne erected near the altar,
under which their three chairs were placed. A similar throne appeared
opposite, in which sat the cardinal legate.
Public-domain text, read in full here on John Shaqi.
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