A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
There is also a _ménagerie_, or collection of animals, among which every
kind of fierce, rare, and foreign quadrupeds may be found. On my first
arrival at Paris, there were two elephants, of different sizes, who
had lived several years together in the same stable. They were of very
considerable dimensions, equal to those, the effigy of which is sometimes
seen on a London stage. The male has lately died, and “_Cuvier_” is to
anatomise the body, and give a lecture on the subject. The female, for
some time after the death of her companion, showed evident symptoms of
grief, and even refused, at first, every kind of nourishment. The house
attached to “le Jardin des Plantes” is filled with a precious collection
of curiosities in natural history, properly arranged, and correctly
named. Several rooms are filled with these valuable objects; and I am
told, by persons acquainted with such subjects, that very little is
wanting to make this _dépôt_ complete. Stuffed quadrupeds[85], birds,
plants, fossils, fish, and shells, offer every kind of variety; and even
the ignorant man finds here a source of never-failing amusement. The
collection of insects is particularly curious and extensive. I believe it
is considered as the finest in the world.
The “_Jardin des Plantes_,” like every other national establishment at
Paris, is seen gratuitously, and is open to foreigners every day, while
frenchmen are only admitted three or four times in each week. It is
impossible to mention too often, or to admire too highly, a _trait_ of
hospitality so truly magnificent.
The “cabinet _de l’École des Mines_” is a superb establishment. It is
situate in the principal building towards the key of the “_hôtel des
Monnaies_.” It was formed in 1778, of the collection which the famous
mineralogist, le Sage, was eighteen years in putting together. The middle
of the cabinet forms an amphitheatre, capable of containing two hundred
persons. Glass cases enclose, in the finest order, minerals of every
kind, and from every part of the world. Four other separate cases offer
models of machinery. On the stairs, leading to the gallery, is the bust
of monsieur le Sage, which was placed there by the gratitude of his
pupils. The gallery itself is surrounded with cases, containing specimens
of the productions of mines, too numerous to be placed with those which
are in the first cabinet of mines. The interior of the cabinet is 45
feet long, by 38 wide, and 40 feet high. All the english, who have seen
“_l’École des Mines_,” agree, in speaking of it as one of the most
interesting sights of this interesting capital[86].
Beside the great establishments which I have mentioned, there are several
others, which it would be an endless task to attempt to specify.
Public-domain text, read in full here on John Shaqi.
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